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  • Video imprint (computer vision)

    Video imprint (computer vision)

    Proposed as an extension of image epitomes in the field of video content analysis, video imprint is obtained by recasting video contents into a fixed-sized tensor representation regardless of video resolution or duration. Specifically, statistical characteristics are retained to some degrees so that common video recognition tasks can be carried out directly on such imprints, e.g., event retrieval, temporal action localization. It is claimed that both spatio-temporal interdependences are accounted for and redundancies are mitigated during the computation of video imprints. The option of computing video imprints exploiting the epitome model has the advantage of more flexible input feature formats and more efficient training stage for video content analysis.

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  • Marilyn Walker

    Marilyn Walker

    Marilyn A. Walker is an American computer scientist. She is professor of computer science and head of the Natural Language and Dialogue Systems Lab at the University of California, Santa Cruz (UCSC). Her research includes work on computational models of dialogue interaction and conversational agents, analysis of affect, sarcasm and other social phenomena in social media dialogue, acquiring causal knowledge from text, conversational summarization, interactive story and narrative generation, and statistical methods for training the dialogue manager and the language generation engine for dialogue systems. == Biography == Walker received an M.S. in Computer Science from Stanford University in 1987, and a Ph.D. in Computer and Information Science and an M.A in linguistics from the University of Pennsylvania in 1993. Walker was awarded a Royal Society Wolfson Research Fellowship at the University of Sheffield from 2003 to 2009. She was inducted as a Fellow of the Association for Computational Linguistics (ACL) in December 2016 for "fundamental contributions to statistical methods for dialog optimization, to centering theory, and to expressive generation for dialog". She served as the general chair of the 2018 North American Association for Computational Linguistics (NAACL-2018) conference. Walker pioneered the use of statistical methods for dialog optimization at AT&T Bell Labs Research where she conducted some of the first experiments on reinforcement learning for optimizing dialogue systems. Her research on Centering Theory is taught in standard textbooks on NLP. She also pioneered the use of statistical NLP methods for Natural Language Generation with the development of the first statistical sentence planner for dialogue systems in 2001. She is well known for her work with François Mairesse on recognizing Big Five personality from text as well as using statistical methods for stylistic Natural Language Generation to express a particular Big Five personality type. An extension of this work learns how to manifest the linguistic style of a particular character in a film. She has published over 300 papers and is the holder of 10 U.S. patents. Her work on the evaluation of dialogue systems conducted at AT&T Bell Labs Research (PARADISE: A framework for evaluating spoken dialogue agents) is a classic, has been cited more than 1100 times. At UCSC, her lab focuses on computational modeling of dialogue and user-generated content in social media such as weblogs, including spoken dialogue systems and interactive stories. She led the Athena team, which was selected as a contender in the Alexa Prize SocialBot Challenge for 5 challenges between 2018 and 2023.

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  • Ashutosh Saxena

    Ashutosh Saxena

    Ashutosh Saxena is an Indian-American computer scientist, researcher, and entrepreneur known for his contributions to the field of artificial intelligence and large-scale robot learning. His interests include building enterprise AI agents and embodied AI. Saxena is the co-founder and CEO of Caspar.AI, where generative AI parses data from ambient 3D radar sensors to predict 20+ health & wellness markers for pro-active patient care. Prior to Caspar.AI, Ashutosh co-founded Cognical Katapult (NSDQ: KPLT), which provides a no credit required alternative to traditional financing for online and omni-channel retail. Before Katapult, Saxena was an assistant professor in the Computer Science Department and faculty director of the RoboBrain Project (a large-scale AI model for robotics) at Cornell University. == Education == In 2009, with artificial intelligence pioneer Andrew Ng as his advisor, Saxena received both his M.S. and Ph.D. in computer science with an emphasis on artificial intelligence from Stanford University. Saxena received his bachelor's degree in electrical engineering from the Indian Institute of Technology, Kanpur in 2004. == Career == Saxena was the chief scientist of New York-based Holopad, where he worked with Steven Spielberg's team to create walkthroughs and 3D experiences for his movie TinTin. His past experiences include building acoustic AI models at Bose Corporation. Once Ashutosh completed his undergraduate degree, he became a researcher at the Commonwealth Scientific and Industrial Research Organization, where he developed AI models for medical devices. Before Caspar, Saxena pursued other entrepreneurial ventures, such as ZunaVision, an artificial intelligence startup he co-founded with Andrew Ng that uses AI to embed advertising space within videos. Ashutosh served as the CTO of ZunaVision from 2008 to 2010. After ZunaVision, Saxena co-founded Cognical Katapult, which provided financing solutions to nonprime and underbanked consumers powered by artificial intelligence. From 2014 to 2016, Saxena served as the faculty director of the RoboBrain project, which was a joint venture that he started between Stanford University, Cornell University, Brown University, and the University of California, Berkeley that made a knowledge engine for robots. Saxena co-founded Brain of Things in 2015 with David Cheriton, who serves as chief scientist, and was listed as the fastest growing private company reaching an annual recurring revenue of $8 million in three years. It has been widely covered in several outlets including Forbes Japan, and MIT Technology Review. Saxena's work on deep learning won test of time award in 2023 by Robotics Science and Systems. Ashutosh has been recognized for his work by receiving the Alfred P. Sloan Fellow in 2011, Google Faculty Research Award in 2012, Microsoft Faculty Fellowship in 2012, NSF Career award in 2013, One of the Eight Innovators to Watch by the Smithsonian Institution in 2015, and received TR35 Innovator Award by MIT Technology Review in 2018. He was named by San Francisco Business Times as a 40 under 40 young business leader. == Research == Saxena has authored over 100 published papers in the areas of large-scale robot learning and artificial intelligence, with 20,000+ citations. His work in the fields of computer vision and deep learning have been featured in press releases and academic journal reviews. Ashutosh's early work includes the Stanford Artificial Intelligence Robot (STAIR), an AI models that enables to perform tasks such as unload items from a dishwasher, which was covered on the front-page of New York Times. His work on Make3D, was the first work that estimated 3D depth from a single still image. At Cornell University, Ashutosh led the Robot Learning Lab, which used a machine learning approach to train robots to perform tasks in human environments such as generalizing manipulation in 3D point-clouds where robots learn to transfer manipulation trajectories to novel objects utilizing a large sample of demonstrations from crowdsourcing.

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  • Semiautomaton

    Semiautomaton

    In mathematics and theoretical computer science, a semiautomaton is a deterministic finite automaton having inputs but no output. It consists of a set Q of states, a set Σ called the input alphabet, and a function T: Q × Σ → Q called the transition function. Associated with any semiautomaton is a monoid called the characteristic monoid, input monoid, transition monoid or transition system of the semiautomaton, which acts on the set of states Q. This may be viewed either as an action of the free monoid of strings in the input alphabet Σ, or as the induced transformation semigroup of Q. In older books like Clifford and Preston (1967) semigroup actions are called "operands". In category theory, semiautomata essentially are functors. == Transformation semigroups and monoid acts == A transformation semigroup or transformation monoid is a pair ( M , Q ) {\displaystyle (M,Q)} consisting of a set Q (often called the "set of states") and a semigroup or monoid M of functions, or "transformations", mapping Q to itself. They are functions in the sense that every element m of M is a map m : Q → Q {\displaystyle m\colon Q\to Q} . If s and t are two functions of the transformation semigroup, their semigroup product is defined as their function composition ( s t ) ( q ) = ( s ∘ t ) ( q ) = s ( t ( q ) ) {\displaystyle (st)(q)=(s\circ t)(q)=s(t(q))} . Some authors regard "semigroup" and "monoid" as synonyms. Here a semigroup need not have an identity element; a monoid is a semigroup with an identity element (also called "unit"). Since the notion of functions acting on a set always includes the notion of an identity function, which when applied to the set does nothing, a transformation semigroup can be made into a monoid by adding the identity function. === M-acts === Let M be a monoid and Q be a non-empty set. If there exists a multiplicative operation μ : Q × M → Q {\displaystyle \mu \colon Q\times M\to Q} ( q , m ) ↦ q m = μ ( q , m ) {\displaystyle (q,m)\mapsto qm=\mu (q,m)} which satisfies the properties q 1 = q {\displaystyle q1=q} for 1 the unit of the monoid, and q ( s t ) = ( q s ) t {\displaystyle q(st)=(qs)t} for all q ∈ Q {\displaystyle q\in Q} and s , t ∈ M {\displaystyle s,t\in M} , then the triple ( Q , M , μ ) {\displaystyle (Q,M,\mu )} is called a right M-act or simply a right act. In long-hand, μ {\displaystyle \mu } is the right multiplication of elements of Q by elements of M. The right act is often written as Q M {\displaystyle Q_{M}} . A left act is defined similarly, with μ : M × Q → Q {\displaystyle \mu \colon M\times Q\to Q} ( m , q ) ↦ m q = μ ( m , q ) {\displaystyle (m,q)\mapsto mq=\mu (m,q)} and is often denoted as M Q {\displaystyle \,_{M}Q} . An M-act is closely related to a transformation monoid. However the elements of M need not be functions per se, they are just elements of some monoid. Therefore, one must demand that the action of μ {\displaystyle \mu } be consistent with multiplication in the monoid (i.e. μ ( q , s t ) = μ ( μ ( q , s ) , t ) {\displaystyle \mu (q,st)=\mu (\mu (q,s),t)} ), as, in general, this might not hold for some arbitrary μ {\displaystyle \mu } , in the way that it does for function composition. Once one makes this demand, it is completely safe to drop all parenthesis, as the monoid product and the action of the monoid on the set are completely associative. In particular, this allows elements of the monoid to be represented as strings of letters, in the computer-science sense of the word "string". This abstraction then allows one to talk about string operations in general, and eventually leads to the concept of formal languages as being composed of strings of letters. Another difference between an M-act and a transformation monoid is that for an M-act Q, two distinct elements of the monoid may determine the same transformation of Q. If we demand that this does not happen, then an M-act is essentially the same as a transformation monoid. === M-homomorphism === For two M-acts Q M {\displaystyle Q_{M}} and B M {\displaystyle B_{M}} sharing the same monoid M {\displaystyle M} , an M-homomorphism f : Q M → B M {\displaystyle f\colon Q_{M}\to B_{M}} is a map f : Q → B {\displaystyle f\colon Q\to B} such that f ( q m ) = f ( q ) m {\displaystyle f(qm)=f(q)m} for all q ∈ Q M {\displaystyle q\in Q_{M}} and m ∈ M {\displaystyle m\in M} . The set of all M-homomorphisms is commonly written as H o m ( Q M , B M ) {\displaystyle \mathrm {Hom} (Q_{M},B_{M})} or H o m M ( Q , B ) {\displaystyle \mathrm {Hom} _{M}(Q,B)} . The M-acts and M-homomorphisms together form a category called M-Act. == Semiautomata == A semiautomaton is a triple ( Q , Σ , T ) {\displaystyle (Q,\Sigma ,T)} where Σ {\displaystyle \Sigma } is a non-empty set, called the input alphabet, Q is a non-empty set, called the set of states, and T is the transition function T : Q × Σ → Q . {\displaystyle T\colon Q\times \Sigma \to Q.} When the set of states Q is a finite set—it need not be—, a semiautomaton may be thought of as a deterministic finite automaton ( Q , Σ , T , q 0 , A ) {\displaystyle (Q,\Sigma ,T,q_{0},A)} , but without the initial state q 0 {\displaystyle q_{0}} or set of accept states A. Alternately, it is a finite-state machine that has no output, and only an input. Any semiautomaton induces an act of a monoid in the following way. Let Σ ∗ {\displaystyle \Sigma ^{}} be the free monoid generated by the alphabet Σ {\displaystyle \Sigma } (so that the superscript is understood to be the Kleene star); it is the set of all finite-length strings composed of the letters in Σ {\displaystyle \Sigma } . For every word w in Σ ∗ {\displaystyle \Sigma ^{}} , let T w : Q → Q {\displaystyle T_{w}\colon Q\to Q} be the function, defined recursively, as follows, for all q in Q: If w = ε {\displaystyle w=\varepsilon } , then T ε ( q ) = q {\displaystyle T_{\varepsilon }(q)=q} , so that the empty word ε {\displaystyle \varepsilon } does not change the state. If w = σ {\displaystyle w=\sigma } is a letter in Σ {\displaystyle \Sigma } , then T σ ( q ) = T ( q , σ ) {\displaystyle T_{\sigma }(q)=T(q,\sigma )} . If w = σ v {\displaystyle w=\sigma v} for σ ∈ Σ {\displaystyle \sigma \in \Sigma } and v ∈ Σ ∗ {\displaystyle v\in \Sigma ^{}} , then T w ( q ) = T v ( T σ ( q ) ) {\displaystyle T_{w}(q)=T_{v}(T_{\sigma }(q))} . Let M ( Q , Σ , T ) {\displaystyle M(Q,\Sigma ,T)} be the set M ( Q , Σ , T ) = { T w | w ∈ Σ ∗ } . {\displaystyle M(Q,\Sigma ,T)=\{T_{w}\vert w\in \Sigma ^{}\}.} The set M ( Q , Σ , T ) {\displaystyle M(Q,\Sigma ,T)} is closed under function composition; that is, for all v , w ∈ Σ ∗ {\displaystyle v,w\in \Sigma ^{}} , one has T w ∘ T v = T v w {\displaystyle T_{w}\circ T_{v}=T_{vw}} . It also contains T ε {\displaystyle T_{\varepsilon }} , which is the identity function on Q. Since function composition is associative, the set M ( Q , Σ , T ) {\displaystyle M(Q,\Sigma ,T)} is a monoid: it is called the input monoid, characteristic monoid, characteristic semigroup or transition monoid of the semiautomaton ( Q , Σ , T ) {\displaystyle (Q,\Sigma ,T)} . == Properties == If the set of states Q is finite, then the transition functions are commonly represented as state transition tables. The structure of all possible transitions driven by strings in the free monoid has a graphical depiction as a de Bruijn graph. The set of states Q need not be finite, or even countable. As an example, semiautomata underpin the concept of quantum finite automata. There, the set of states Q are given by the complex projective space C P n {\displaystyle \mathbb {C} P^{n}} , and individual states are referred to as n-state qubits. State transitions are given by unitary n×n matrices. The input alphabet Σ {\displaystyle \Sigma } remains finite, and other typical concerns of automata theory remain in play. Thus, the quantum semiautomaton may be simply defined as the triple ( C P n , Σ , { U σ 1 , U σ 2 , … , U σ p } ) {\displaystyle (\mathbb {C} P^{n},\Sigma ,\{U_{\sigma _{1}},U_{\sigma _{2}},\dotsc ,U_{\sigma _{p}}\})} when the alphabet Σ {\displaystyle \Sigma } has p letters, so that there is one unitary matrix U σ {\displaystyle U_{\sigma }} for each letter σ ∈ Σ {\displaystyle \sigma \in \Sigma } . Stated in this way, the quantum semiautomaton has many geometrical generalizations. Thus, for example, one may take a Riemannian symmetric space in place of C P n {\displaystyle \mathbb {C} P^{n}} , and selections from its group of isometries as transition functions. The syntactic monoid of a regular language is isomorphic to the transition monoid of the minimal automaton accepting the language. == Literature == A. H. Clifford and G. B. Preston, The Algebraic Theory of Semigroups. American Mathematical Society, volume 2 (1967), ISBN 978-0-8218-0272-4. F. Gecseg and I. Peak, Algebraic Theory of Automata (1972), Akademiai Kiado, Budapest. W. M. L. Holcombe, Algebraic Automata Theory (1982), Cambridge University Press J. M. Howie, Automata and Languages, (1991), Cla

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  • Zoho Office Suite

    Zoho Office Suite

    Zoho Office Suite is an online office suite developed by Zoho Corporation. == History == Zoho Office Suite was launched in 2005 with a web-based word processor. Additional products, such as those for spreadsheets and presentations, were incorporated later into the suite. The applications are distributed as software as a service (SaaS). == Products == Zoho uses an open API for its Writer, Sheet, Show, Creator, Meeting, and Planner products. It also has plugins into Microsoft Word and Excel, an OpenOffice.org plugin, and a plugin for Firefox. Zoho Office Suite is free for individuals but offers a plan for teams, which includes Zoho WorkDrive, Zoho Workplace and other Zoho apps. In October 2009, Zoho integrated some of their applications with the Google Apps online suite.

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  • How to Choose an AI Customer-support Bot

    How to Choose an AI Customer-support Bot

    Comparing the best AI customer-support bot? An AI customer-support bot is software that uses machine learning to help you get more done — it lowers the barrier so anyone can produce professional output. Privacy matters too: check whether your data trains the model and whether a no-log or enterprise tier is available. Whether you are a beginner or a pro, the right AI customer-support bot slots into your workflow and pays for itself fast. We tested the leading options and ranked them by quality, value, and ease of use.

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  • Madhan Karky

    Madhan Karky

    Madhan Karky Vairamuthu is an Indian lyricist, screenwriter, research associate, software engineer, and entrepreneur. A holder of a doctorate in computer science from the University of Queensland, Karky began his professional career as an assistant professor at the College of Engineering, Guindy, and soon after ventured into the Tamil cinema, working as a lyricist and dialogue writer. He resigned from his teaching profession in early 2013 and began working full-time in the film industry, while also launching the Karky Research Foundation (KaReFo), an educational research organization which primarily focuses on language computing and language literacy. He also founded the Mellinam Education, which develops educational games and story books designed to propagate learning among children, and DooPaaDoo, an online music platform which promotes independent music and serves a distributor for film soundtracks. == Early life == Karky is the eldest son of seven-time National Award winning lyricist Vairamuthu and Ponmani, a Tamil scholar and veteran professor at the Meenakshi College for Women. He has a younger brother, Kabilan, who is a novelist and also works as a lyricist and dialogue writer for Tamil films. === Education === He grew up in Chennai and was educated at the Loyala Matriculation School in Kodambakkam. By his own admission, he was not a good student, excelling primarily only in Tamil and English. During his time in high school, he gained an interest in computer science He got admission in College of Engineering, Guindy which is affiliated with the Anna University. He began his undergraduate education in the field of Computer engineering in the year 1997. While in CEG, as part of his final year project, Karky developed a program called the Tamil Voice Engine, under the supervision of Professor T.V. Geetha. The goal of the project was construction of a text to speech engine for the Tamil language. The research paper on the project was officially selected at the Tamil Internet Conference in Kuala Lumpur, Malaysia. Other projects during his tenure include the Name Generator, which was part of his course on Creativity, Innovation and New Product Development (the objective being to generate random names that are pronounceable with respect to Indian phonetics) and Compiler Design, for which a high level programming language was conceived, with the goal of proper specification and interpretation of lexical rules and grammar rules. For Chennai Kavigal, he created a Spell Checker for a Tamil Word Processor. The project involved a lot of Natural Language Processing elements, based on a root dictionary built as a part of the morphological analyzer for the Tamil Language. The endgame being determining the correctness of words. Following the completion of his bachelor's degree in 2001, Karky began his master's degree at the University of Queensland in the year 2003. In that particular stint, he developed a project based on the theory of computation and strong mathematics (under the supervision of Dr. George Havas). It aimed at analyzing an existing algorithm of reducing any kind of matrix format to a standard format called 'Hermite Normal form', which is a unit upper triangular matrix. Some of his other projects during this course include the Disciplined Software Process Project (whose objective was to introduce and practice the software development process for individuals called Personal Software Process), the On-Line Art Store Website (which involved the creation of a website that trades paintings through the Internet) and the Text Based Voice Chat (for which a Proxy Voice Chat system was designed and developed in Visual Basic that incorporated the predominant computing aspects). In addition to his academics, Karky also served as Academic tutor at the university. He conducted class room tutorials and laboratory sessions on subjects such as Relational Database Systems and Programming Languages. As part of his PhD program on information technology, he developed a Java-based simulation platform called SENSE (Simulated Environment of Networked Sensor Experiments), to test different heuristics. This project was done under the guidance of Dr. Maria Orlowska and Dr. Shazia Sadiq. His thesis is titled "Design considerations for query dissemination in wireless sensor networks". === Teaching career === Upon his return to India following the completion of his post-graduation, Karky returned to CEG Anna University in December 2007. He was a Senior Research Fellow for the next six months, managing research projects as well as multiple student projects at an undergrad and postgrad levels. In addition to those, he handled courses and labs for students who pursued their master's degrees. He also served as a Project Scientist between July 2008 and July 2009, managing projects of research groups as well as ME & MBA students. Starting from August 2009, he began his role as an assistant professor. He lectured Computer Science students who were pursuing their Bachelors and master's degrees as well as coordinated the Tamil Computing Lab at the university. He also served as counsellor for NRI and foreign national students, as well as the Staff treasurer of Computer Science Engineering Association. Some of the subjects he taught include Advanced Databases, Ethics for Engineers, Principles of Programming Languages, Environmental Science and Tamil Computing (for PhD students). === Family and personal life === Karky's been married to Nandini Eswaramoorthy, a fellow alum at Anna University, since June 22, 2008. Nandini Karky now works in the Tamil film industry as a subtitler for feature films and documentaries. They have a son named Haiku Karky, who was born in 2009. == Film career == === Debut === During his teaching stint at Anna University, Karky also began his career in the Tamil film industry with the science-fiction film Enthiran (2010), the magnum opus of director Shankar. Karky had approached the director in 2008 with some of the songs he had written, and was brought him on board to help with the dialogues of the film, especially assisting with technical terminology. He stated that there were three sets of dialogues written for almost every scene of the film; one by Shankar, one by Karky, and the other by the late Sujatha, a frequent collaborator with the director who had died during the early stages of the film's pre-production. Shankar would go through all the three drafts and implement those that fit best. The climax was the only portion that didn't have multiple hands, as it was written solely by Karky. In addition to the dialogue, Karky wrote 2 songs for the film, as well: "Irumbile oru Irudhaiyam" (the first song of his career, which was partially crooned by A.R. Rahman) and "Boom Boom Robo Da". However, Kanden Kadhalai (2009), in which he had written the song "Ododi Poren" (composed by Vidyasagar), became his first release. For his work on Enthiran, Karky was named Best Find of the Year at the 2011 Vijay Awards. === Lyric writer === Following his work on Enthiran, Karky became one of the most sought after lyricists in the Tamil film industry, having multiple collaborations with A.R. Rahman, Harris Jayaraj, G. V. Prakash Kumar, D. Imman, M.M. Keeravani, Yuvan Shankar Raja, S. Thaman, Sanjay Leela Bhansali, Anirudh Ravichander and Sam CS. In addition to his native Tamil, he is known for penning songs in multiple languages; some of which include "Asku Laska" from Nanban (which features 16 different languages), "The Rise of Damo" from 7 Aum Arivu (written in Mandarin) and "Continua" from Nootrenbadhu (in Portuguese). His work is also characterized by infusing uncommon Tamil words that aren't normally used in everyday lexicon, as part of lyrics (like "Kuviyamillaa Kaatchi Paezhai" from Ko and "Panikoozh" from I). He also wrote the first palindrome song in Tamil cinema for the film Vinodhan. As of the end of 2025, he has over one thousand songs to his credit. Some of Karky's most popular songs include "Irumbile oru Irudhaiyam" (Enthiran), "Enamo Edho" (Ko), "Nee Koorinal" (Nootrenbadhu), "Asku Laska" (Nanban), "Google Google" (Thuppakki), "Elay Keechaan" (Kadal), "Osakka" (Vanakkam Chennai), "Selfie Pulla" (Kaththi), "Pookkalae Sattru Oyivedungal" (I), "Mei Nigara" (24), "Azhagiye" (Kaatru Veliyidai), "Endhira Logathu Sundariye" (2.0) and "Kurumba" (Tik Tik Tik). === Dialogue writer === On the heels of the success with Enthiran, Karky once again collaborated as a dialogue writer with director Shankar for Nanban. An adaptation of the Hindi blockbuster 3 Idiots, he infused a twang to the dialogue that aimed to showcase college life in a different manner. He also collaborated as a technical advisor with Shankar with 2.0 (the sequel to Enthiran). Karky's also known for his successful collaboration with Telugu director S.S. Rajamouli, on his two-part magnum opus Baahubali; the second part being the most profitable South Indian film of all time, and RRR. His o

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  • How to Choose an AI Copywriting Tool

    How to Choose an AI Copywriting Tool

    Trying to pick the best AI copywriting tool? An AI copywriting tool is software that uses machine learning to help you get more done — it scales effortlessly from a single task to thousands. The best picks balance beginner-friendly simplicity with the depth power users need, and they ship updates often. Whether you are a beginner or a pro, the right AI copywriting tool slots into your workflow and pays for itself fast. Read on for hands-on impressions, pricing tiers, and the standout features that matter.

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  • Gonioreflectometer

    Gonioreflectometer

    A gonioreflectometer is a device for measuring a bidirectional reflectance distribution function (BRDF). The device consists of a light source illuminating the material to be measured and a sensor that captures light reflected from that material. The light source should be able to illuminate and the sensor should be able to capture data from a hemisphere around the target. The hemispherical rotation dimensions of the sensor and light source are the four dimensions of the BRDF. The 'gonio' part of the word refers to the device's ability to measure at different angles. Several similar devices have been built and used to capture data for similar functions. Most of these devices use a camera instead of the light intensity-measuring sensor to capture a two-dimensional sample of the target. Examples include: a spatial gonioreflectometer for capturing the SBRDF (McAllister, 2002). a camera gantry for capturing the light field (Levoy and Hanrahan, 1996). an unnamed device for capturing the bidirectional texture function (Dana et al., 1999).

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  • P4-metric

    P4-metric

    The P4 metric (also known as FS or Symmetric F ) enables performance evaluation of a binary classifier. The P4 metric is calculated from precision, recall, specificity, and NPV (negative predictive value). The definition of the P4 metric is similar to that of the F1 metric, however the P4 metric definition addresses criticisms leveled against the definition of the F1 metric. The definition of the P4 metric may, therefore, be understood as an extension of the F1 metric. Like the other known metrics, the P4 metric is a function of: TP (true positives), TN (true negatives), FP (false positives), FN (false negatives). == Justification == The key concept of the P4 metric is to leverage the four key conditional probabilities: P ( + ∣ C + ) {\displaystyle P(+\mid C{+})} — the probability that the sample is positive, provided the classifier result was positive. P ( C + ∣ + ) {\displaystyle P(C{+}\mid +)} — the probability that the classifier result will be positive, provided the sample is positive. P ( C − ∣ − ) {\displaystyle P(C{-}\mid -)} — the probability that the classifier result will be negative, provided the sample is negative. P ( − ∣ C − ) {\displaystyle P(-\mid C{-})} — the probability the sample is negative, provided the classifier result was negative. The main assumption behind this metric is that all the probabilities mentioned above are close to 1 for a properly designed binary classifier. Indeed, P 4 = 1 {\displaystyle \mathrm {P} _{4}=1} if, and only if, all of the probabilities above are equal to 1. Another important feature is that P 4 {\displaystyle \mathrm {P} _{4}} tends to zero any of the above probabilities tend to zero. == Definition == P4 is defined as a harmonic mean of four key conditional probabilities: P 4 = 4 1 P ( + ∣ C + ) + 1 P ( C + ∣ + ) + 1 P ( C − ∣ − ) + 1 P ( − ∣ C − ) = 4 1 p r e c i s i o n + 1 r e c a l l + 1 s p e c i f i c i t y + 1 N P V . {\displaystyle \mathrm {P} _{4}={\frac {4}{{\frac {1}{P(+\mid C{+})}}+{\frac {1}{P(C{+}\mid +)}}+{\frac {1}{P(C{-}\mid -)}}+{\frac {1}{P(-\mid C{-})}}}}={\frac {4}{{\frac {1}{\mathit {precision}}}+{\frac {1}{\mathit {recall}}}+{\frac {1}{\mathit {specificity}}}+{\frac {1}{\mathit {NPV}}}}}.} In terms of TP,TN,FP,FN it can be calculated as follows: P 4 = 4 ⋅ T P ⋅ T N 4 ⋅ T P ⋅ T N + ( T P + T N ) ⋅ ( F P + F N ) . {\displaystyle \mathrm {P} _{4}={\frac {4\cdot \mathrm {TP} \cdot \mathrm {TN} }{4\cdot \mathrm {TP} \cdot \mathrm {TN} +(\mathrm {TP} +\mathrm {TN} )\cdot (\mathrm {FP} +\mathrm {FN} )}}.} == Evaluation of the binary classifier performance == Evaluating the performance of binary classifiers is a multidisciplinary concept. It spans from the evaluation of medical tests, psychiatric tests to machine learning classifiers from a variety of fields. Thus, many of the metrics in use exist under several names, some defined independently. == Properties of P4 metric == Symmetry — contrasting to the F1 metric, P4 is symmetrical. It means - it does not change its value when dataset labeling is changed - positives named negatives and negatives named positives. Range: P 4 ∈ [ 0 , 1 ] {\displaystyle \mathrm {P} _{4}\in [0,1]} . Achieving P 4 ≈ 1 {\displaystyle \mathrm {P} _{4}\approx 1} requires all the key four conditional probabilities being close to 1. For P 4 ≈ 0 {\displaystyle \mathrm {P} _{4}\approx 0} it is sufficient that one of the key four conditional probabilities is close to 0. == Examples, comparing with the other metrics == Dependency table for selected metrics ("true" means depends, "false" - does not depend): Metrics that do not depend on a given probability are prone to misrepresentation when the probability approaches 0. === Example 1: Rare disease detection test === Let us consider a medical test used to detect a rare disease. Suppose a population size of 100000 and 0.05% of the population is infected. Further suppose the following test performance: 95% of all positive individuals are classified correctly (TPR=0.95) and 95% of all negative individuals are classified correctly (TNR=0.95). In such a case, due to high population imbalance and in spite of having high test accuracy (0.95), the probability that an individual who has been classified as positive is in fact positive is very low: P ( + ∣ C + ) = 0.0095. {\displaystyle P(+\mid C{+})=0.0095.} We can observe how this low probability is reflected in some of the metrics: P 4 = 0.0370 {\displaystyle \mathrm {P} _{4}=0.0370} , F 1 = 0.0188 {\displaystyle \mathrm {F} _{1}=0.0188} , J = 0.9100 {\displaystyle \mathrm {J} =\mathbf {0.9100} } (Informedness / Youden index), M K = 0.0095 {\displaystyle \mathrm {MK} =0.0095} (Markedness). === Example 2: Image recognition — cats vs dogs === Consider the problem of training a neural network based image classifier with only two types of images: those containing dogs (labeled as 0) and those containing cats (labeled as 1). Thus, the goal is to distinguish between the cats and dogs. Suppose that the classifier overpredicts in favour of cats ("positive" samples): 99.99% of cats are classified correctly and only 1% of dogs are classified correctly. Further, suppose that the image dataset consists of 100000 images, 90% of which are pictures of cats and 10% are pictures of dogs. In this situation, the probability that the picture containing dog will be classified correctly is pretty low: P ( C − | − ) = 0.01. {\displaystyle P(C-|-)=0.01.} Not all metrics are notice this low probability: P 4 = 0.0388 {\displaystyle \mathrm {P} _{4}=0.0388} , F 1 = 0.9478 {\displaystyle \mathrm {F} _{1}=\mathbf {0.9478} } , J = 0.0099 {\displaystyle \mathrm {J} =0.0099} (Informedness / Youden index), M K = 0.8183 {\displaystyle \mathrm {MK} =\mathbf {0.8183} } (Markedness).

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  • Best AI Video Editors in 2026

    Best AI Video Editors in 2026

    Shopping for the best AI video editor? An AI video editor is software that uses machine learning to help you get more done — it keeps getting smarter as the underlying models improve. Pricing, accuracy, and the size of the model behind the tool are the three factors that most affect daily usefulness. Whether you are a beginner or a pro, the right AI video editor slots into your workflow and pays for itself fast. Below we compare features, pricing, and real output so you can choose with confidence.

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  • Deborah Raji

    Deborah Raji

    Inioluwa Deborah Raji (born 1995/1996) is a Nigerian-Canadian computer scientist and socio-tech leader who works on algorithmic bias, AI accountability, and algorithmic auditing. A current Mozilla fellow, she has been recognized by MIT Technology Review and Forbes as one of the world's top young innovators. Raji started her work with racial bias in technology during her internship with Clarifai when she recognized that people of color were more often tagged for NSFW compared to white people. Raji has previously worked with Joy Buolamwini, Timnit Gebru, and the Algorithmic Justice League on researching gender and racial bias in facial recognition technology. Her work on racial bias in facial recognition has forced companies to ultimately change their practices. She has also worked with Google’s Ethical AI team and been a research fellow at the Partnership on AI and AI Now Institute at New York University working on how to operationalize ethical considerations in machine learning engineering practice. She was working on a computer vision model that would help clients flag inappropriate images as NSFW. == Early life and education == Raji was born in Port Harcourt, Nigeria, and moved to Mississauga, Ontario, Canada, when she was four years old. Eventually her family moved to Ottawa. She attended Colonel By Secondary School and completed the International Baccalaureate programme. She studied Engineering Science at the University of Toronto, graduating in 2019. In 2015, she founded Project Include, a nonprofit providing increased student access to engineering education, mentorship, and resources in low income and immigrant communities in the Greater Toronto Area. She started a Doctor of Philosophy - PhD, in Computer Science from the University of California, Berkeley in Aug 2021. == Career and research == Raji worked with Joy Buolamwini at the MIT Media Lab and Algorithmic Justice League, where she audited commercial facial recognition technologies from Microsoft, Amazon, IBM, Face++, and Kairos. They found that these technologies were significantly less accurate for darker-skinned women than for white men. With support from other top AI researchers and increased public pressure and campaigning, their work led IBM and Amazon to agree to support facial recognition regulation and later halt the sale of their product to police for at least a year. Raji also interned at machine learning startup Clarifai, where she worked on a computer vision model for flagging images. She participated in a research mentorship program at Google and worked with their Ethical AI team on creating model cards, a documentation framework for more transparent machine learning model reporting. She also co-led the development of internal auditing practices at Google. Her contributions at Google were separately presented and published at the AAAI conference and ACM Conference on Fairness, Accountability, and Transparency. In 2019, Raji was a summer research fellow at The Partnership on AI working on setting industry machine learning transparency standards and benchmarking norms. Raji was a Tech Fellow at the AI Now Institute worked on algorithmic and AI auditing. Currently, she is a fellow at the Mozilla Foundation researching algorithmic auditing and evaluation. Raji's work on bias in facial recognition systems has been highlighted in the 2020 documentary Coded Bias directed by Shalini Kantayya. She also took part in the 2026 documentary The AI Doc: Or How I Became an Apocaloptimist directed by Daniel Roher. == Awards == 2019 Venture Beat AI Innovations Award in category AI for Good (received with Joy Buolamwini and Timnit Gebru) 2020 MIT Technology Review 35 Under 35 Innovator Award 2020 EFF Pioneer Award (received with Buolamwini and Gebru) 2021 Forbes 30 Under 30 Award in Enterprise Technology 2021 100 Brilliant Women in AI Ethics Hall of Fame Honoree 2023 Time magazine 100 Most Influential People in AI

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  • Text-to-video model

    Text-to-video model

    A text-to-video model is a form of generative artificial intelligence that uses a natural language description as input to produce a video relevant to the input text. Advancements during the 2020s in the generation of high-quality, text-conditioned videos have largely been driven by the development of video diffusion models. == Models == There are different models, including open source models. Chinese-language input CogVideo is the earliest text-to-video model "of 9.4 billion parameters" to be developed, with its demo version of open source codes first presented on GitHub in 2022. That year, Meta Platforms released a partial text-to-video model called "Make-A-Video", and Google's Brain (later Google DeepMind) introduced Imagen Video, a text-to-video model with 3D U-Net. === 2023 === In February 2023, Runway released Gen-1 and Gen-2, among the first commercially available text-to-video and video-to-video models accessible to the public through a web interface. Gen-1, initially released as a video-to-video model, allowed users to transform existing video footage using text or image prompts. Gen-2, introduced in March 2023 and made publicly available in June 2023, added text-to-video capabilities, enabling users to generate videos from text prompts alone. In March 2023, a research paper titled "VideoFusion: Decomposed Diffusion Models for High-Quality Video Generation" was published, presenting a novel approach to video generation. The VideoFusion model decomposes the diffusion process into two components: base noise and residual noise, which are shared across frames to ensure temporal coherence. By utilizing a pre-trained image diffusion model as a base generator, the model efficiently generated high-quality and coherent videos. Fine-tuning the pre-trained model on video data addressed the domain gap between image and video data, enhancing the model's ability to produce realistic and consistent video sequences. In the same month, Adobe introduced Firefly AI as part of its features. === 2024 === In January 2024, Google announced development of a text-to-video model named Lumiere which is anticipated to integrate advanced video editing capabilities. Matthias Niessner and Lourdes Agapito at AI company Synthesia work on developing 3D neural rendering techniques that can synthesise realistic video by using 2D and 3D neural representations of shape, appearances, and motion for controllable video synthesis of avatars. In June 2024, Luma Labs launched its Dream Machine video tool. That same month, Kuaishou extended its Kling AI text-to-video model to international users. In July 2024, TikTok owner ByteDance released Jimeng AI in China, through its subsidiary, Faceu Technology. By September 2024, the Chinese AI company MiniMax debuted its video-01 model, joining other established AI model companies like Zhipu AI, Baichuan, and Moonshot AI, which contribute to China's involvement in AI technology. In December 2024 Lightricks launched LTX Video as an open source model. === 2025 === Alternative approaches to text-to-video models include Google's Phenaki, Hour One, Colossyan, Runway's Gen-3 Alpha, and OpenAI's Sora, Several additional text-to-video models, such as Plug-and-Play, Text2LIVE, and TuneAVideo, have emerged. FLUX.1 developer Black Forest Labs has announced its text-to-video model SOTA. Google was preparing to launch a video generation tool named Veo for YouTube Shorts in 2025. In May 2025, Google launched the Veo 3 iteration of the model. It was noted for its impressive audio generation capabilities, which were a previous limitation for text-to-video models. In July 2025 Lightricks released an update to LTX Video capable of generating clips reaching 60 seconds, and in October 2025 it released LTX-2, with audio capabilities built in. === 2026 === In February 2026, ByteDance released Seedance 2.0, it was noted for its impressive realistic generation, motion and camera control and 15 second generation, however the model faced huge critiscism from Motion Picture Association for copyright infringement. After viewing a viral clip of a fight between actors Brad Pitt and Tom Cruise, Rhett Reese, who is the co-writer of Deadpool & Wolverine and Zombieland announced that on social media "I hate to say it. It’s likely over for us," further stating that "In next to no time, one person is going to be able to sit at a computer and create a movie indistinguishable from what Hollywood now releases." == Architecture and training == There are several architectures that have been used to create text-to-video models. Similar to text-to-image models, these models can be trained using Recurrent Neural Networks (RNNs) such as long short-term memory (LSTM) networks, which has been used for Pixel Transformation Models and Stochastic Video Generation Models, which aid in consistency and realism respectively. An alternative for these include transformer models. Generative adversarial networks (GANs), Variational autoencoders (VAEs), — which can aid in the prediction of human motion — and diffusion models have also been used to develop the image generation aspects of the model. Text-video datasets used to train models include, but are not limited to, WebVid-10M, HDVILA-100M, CCV, ActivityNet, and Panda-70M. These datasets contain millions of original videos of interest, generated videos, captioned-videos, and textual information that help train models for accuracy. Text-video datasets used to train models include, but are not limited to PromptSource, DiffusionDB, and VidProM. These datasets provide the range of text inputs needed to teach models how to interpret a variety of textual prompts. The video generation process involves synchronizing the text inputs with video frames, ensuring alignment and consistency throughout the sequence. This predictive process is subject to decline in quality as the length of the video increases due to resource limitations. The Will Smith Eating Spaghetti test is a benchmark for models. == Limitations == Despite the rapid evolution of text-to-video models in their performance, a primary limitation is that they are very computationally heavy which limits its capacity to provide high quality and lengthy outputs. Additionally, these models require a large amount of specific training data to be able to generate high quality and coherent outputs, which brings about the issue of accessibility. Moreover, models may misinterpret textual prompts, resulting in video outputs that deviate from the intended meaning. This can occur due to limitations in capturing semantic context embedded in text, which affects the model's ability to align generated video with the user's intended message. Various models, including Make-A-Video, Imagen Video, Phenaki, CogVideo, GODIVA, and NUWA, are currently being tested and refined to enhance their alignment capabilities and overall performance in text-to-video generation. Another issue with the outputs is that text or fine details in AI-generated videos often appear garbled, a problem that stable diffusion models also struggle with. Examples include distorted hands and unreadable text. == Ethics == The deployment of text-to-video models raises ethical considerations related to content generation. These models have the potential to create inappropriate or unauthorized content, including explicit material, graphic violence, misinformation, and likenesses of real individuals without consent. Ensuring that AI-generated content complies with established standards for safe and ethical usage is essential, as content generated by these models may not always be easily identified as harmful or misleading. The ability of AI to recognize and filter out NSFW or copyrighted content remains an ongoing challenge, with implications for both creators and audiences. == Impacts and applications == Text-to-video models offer a broad range of applications that may benefit various fields, from educational and promotional to creative industries. These models can streamline content creation for training videos, movie previews, gaming assets, and visualizations, making it easier to generate content. During the Russo-Ukrainian war, fake videos made with artificial intelligence were created as part of a propaganda war against Ukraine and shared in social media. These included depictions of children in the Ukrainian Armed Forces, fake ads targeting children encouraging them to denounce critics of the Ukrainian government, or fictitious statements by Ukrainian President Volodymyr Zelenskyy about the country's surrender, among others. === Movies === Kaur vs Kore is the first Indian feature film made using generative AI which features dual role for the AI character of Sunny Leone, set to release in 2026. Chiranjeevi Hanuman – The Eternal is an Indian movie made entirely using Generative AI created by Vijay Subramaniam which is set for theatrical release in 2026. The movie was widely criticised by the Film makers in the Bollywood industr

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  • AI Video Editors Reviews: What Actually Works in 2026

    AI Video Editors Reviews: What Actually Works in 2026

    Curious about the best AI video editor? An AI video editor is software that uses machine learning to help you get more done — it combines speed, accuracy, and an interface that just works. Hands-on testing shows real-world results vary, so a short free trial is the smartest way to decide. Whether you are a beginner or a pro, the right AI video editor slots into your workflow and pays for itself fast. Read on for hands-on impressions, pricing tiers, and the standout features that matter.

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    How to Choose an AI Voice Assistant

    Curious about the best AI voice assistant? An AI voice assistant is software that uses machine learning to help you get more done — it combines speed, accuracy, and an interface that just works. Hands-on testing shows real-world results vary, so a short free trial is the smartest way to decide. Whether you are a beginner or a pro, the right AI voice assistant slots into your workflow and pays for itself fast. Read on for hands-on impressions, pricing tiers, and the standout features that matter.

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