New media are communication technologies that enable or enhance interaction between users, as well as interaction between users and content. In the middle of the 1990s, the phrase "new media" became widely used as part of a sales pitch for the influx of interactive CD-ROMs for entertainment and education. The new media technologies, sometimes known as Web 2.0, include a wide range of web-related communication tools such as blogs, wikis, online social networking, virtual worlds, and other social media platforms. The phrase "new media" refers to computational media that share material online and through computers. New media inspire new ways of thinking about older media. Media do not replace one another in a clear, linear succession, instead evolving in a more complicated network of interconnected feedback loops . What is different about new media is how they specifically refashion traditional media and how older media refashion themselves to meet the challenges of new media. Unless they contain technologies that enable digital generative or interactive processes, broadcast television programs, non-interactive news websites, feature films, magazines, and books are not considered to be new media. The term "new media" stands in contrast to old media, which dominated the media landscape as a form of mass media for many years. == History == In the 1950s, connections between computing and radical art began to grow stronger. It was not until the 1980s that Alan Kay and his co-workers at Xerox PARC began to give the computability of a personal computer to the individual, rather than have a big organization be in charge of this. In the late 1980s and early 1990s, however, we seem to witness a different kind of parallel relationship between social changes and computer design. Although causally unrelated, conceptually, it makes sense that the Cold War and the design of the Web took place at exactly the same time. Writers and philosophers such as Marshall McLuhan were instrumental in the development of media theory during this period which is now famous declaration in Understanding Media: The Extensions of Man, that "the medium is the message" drew attention to the too often ignored influence media and technology themselves, rather than their "content," have on humans' experience of the world and on society broadly. Until the 1980s, media relied primarily upon print and analog broadcast models such as television and radio. The last twenty-five years have seen the rapid transformation into media which are predicated upon the use of digital technologies such as the Internet and video games. However, these examples are only a small representation of new media. The use of digital computers has transformed the remaining 'old' media, as suggested by the advent of digital television and online publications. Even traditional media forms such as the printing press have been transformed through the application of technologies by using of image manipulation software like Adobe Photoshop and desktop publishing tools. Andrew L. Shapiro argues that the "emergence of new, digital technologies signals a potentially radical shift of who is in control of information, experience and resources". W. Russell Neuman suggests that whilst the "new media" have technical capabilities to pull in one direction, economic and social forces pull back in the opposite direction. According to Neuman, "We are witnessing the evolution of a universal interconnected network of audio, video, and electronic text communications that will blur the distinction between interpersonal and mass communication; and between public and private communication". Neuman argues that new media will: Alter the meaning of geographic distance. Allow for a huge increase in the volume of communication. Provide the possibility of increasing the speed of communication. Provide opportunities for interactive communication. Allow forms of communication that were previously separate to overlap and interconnect. Consequently, it has been the contention of scholars such as Douglas Kellner and James Bohman that new media and particularly the Internet will provide the potential for a democratic postmodern public sphere, in which citizens can participate in well informed, non-hierarchical debate pertaining to their social structures. Contradicting these positive appraisals of the potential social impacts of new media are scholars such as Edward S. Herman and Robert McChesney who have suggested that the transition to new media has seen a handful of powerful transnational telecommunications corporations who achieve a level of global influence which was hitherto unimaginable. Scholars have highlighted both the positive and negative potential and actual implications of new media technologies, suggesting that some of the early work in new media studies was guilty of technologicaldeterminism – whereby the effects of media were determined by the technologies themselves, rather than by tracing the complex social networks that governed the development, funding, implementation, and future evolution of any technology. Based on the argument that people have a limited amount of time to spend on the consumption of different media, displacement theory argue that the viewership or readership of one particular outlet leads to the reduction in the amount of time spent by the individual on another. The introduction of new media, such as the internet, therefore reduces the amount of time individuals would spend on existing "old" media, which could ultimately lead to the end of such traditional media. == Definition == Although, there are several ways that new media may be described, Lev Manovich, in an introduction to The New Media Reader, defines new media by using eight propositions: New media versus cyberculture – Cyberculture is the various social phenomena that are associated with the Internet and network communications (blogs, online multi-player gaming), whereas new media is concerned more with cultural objects and paradigms (digital to analog television, smartphones). New media as computer technology used as a distribution platform – New media are the cultural objects which use digital computer technology for distribution and exhibition. e.g. (at least for now) Internet, Web sites, computer multimedia, Blu-ray disks etc. The problem with this is that the definition must be revised every few years. The term "new media" will not be "new" anymore, as most forms of culture will be distributed through computers. New media as digital data controlled by software – The language of new media is based on the assumption that, in fact, all cultural objects that rely on digital representation and computer-based delivery do share a number of common qualities. New media is reduced to digital data that can be manipulated by software as any other data. Now media operations can create several versions of the same object. An example is an image stored as matrix data which can be manipulated and altered according to the additional algorithms implemented, such as color inversion, gray-scaling, sharpening, rasterizing, etc. New media as the mix between existing cultural conventions and the conventions of software – New media today can be understood as the mix between older cultural conventions for data representation, access, and manipulation and newer conventions of data representation, access, and manipulation. The "old" data are representations of visual reality and human experience, and the "new" data is numerical data. The computer is kept out of the key "creative" decisions, and is delegated to the position of a technician. e.g. In film, software is used in some areas of production, in others are created using computer animation. New media as the aesthetics that accompanies the early stage of every new modern media and communication technology – While ideological tropes indeed seem to be reappearing rather regularly, many aesthetic strategies may reappear two or three times ... In order for this approach to be truly useful it would be insufficient to simply name the strategies and tropes and to record the moments of their appearance; instead, we would have to develop a much more comprehensive analysis which would correlate the history of technology with social, political, and economical histories or the modern period. New media as faster execution of algorithms previously executed manually or through other technologies – Computers are a huge speed-up of what were previously manual techniques. e.g. calculators. Dramatically speeding up the execution makes possible previously non-existent representational technique. This also makes possible of many new forms of media art such as interactive multimedia and video games. On one level, a modern digital computer is just a faster calculator, we should not ignore its other identity: that of a cybernetic control device. New media as the encoding of modernist avant-garde; new media as metamedia – Manovi
Weak artificial intelligence
Weak artificial intelligence (weak AI) is artificial intelligence that implements a limited part of the mind, or, as narrow AI, artificial narrow intelligence (ANI), is focused on one narrow task. Weak AI is contrasted with strong AI, which can be interpreted in various ways: Artificial general intelligence (AGI): a machine with the ability to apply intelligence to any problem, rather than just one specific problem. Artificial superintelligence (ASI): a machine with a vastly superior intelligence to the average human being. Artificial consciousness: a machine that has consciousness, sentience and mind (John Searle uses "strong AI" in this sense). Narrow AI can be classified as being "limited to a single, narrowly defined task. Most modern AI systems would be classified in this category." Artificial general intelligence is conversely the opposite. == Applications and risks == Some examples of narrow AI are AlphaGo, self-driving cars, robot systems used in the medical field, and diagnostic doctors. Narrow AI systems are sometimes dangerous if unreliable. And the behavior that it follows can become inconsistent. It could be difficult for the AI to grasp complex patterns and get to a solution that works reliably in various environments. This "brittleness" can cause it to fail in unpredictable ways. Narrow AI failures can sometimes have significant consequences. It could for example cause disruptions in the electric grid, damage nuclear power plants, cause global economic problems, and misdirect autonomous vehicles. Medicines could be incorrectly sorted and distributed. Also, medical diagnoses can ultimately have serious and sometimes deadly consequences if the AI is faulty or biased. Simple AI programs have already worked their way into society, oftentimes unnoticed by the public. Autocorrection for typing, speech recognition for speech-to-text programs, and vast expansions in the data science fields are examples. Narrow AI has also been the subject of some controversy, including resulting in unfair prison sentences, discrimination against women in the workplace for hiring, resulting in death via autonomous driving, among other cases. Despite being "narrow" AI, recommender systems are efficient at predicting user reactions based on their posts, patterns, or trends. For instance, TikTok's "For You" algorithm can determine a user's interests or preferences in less than an hour. Some other social media AI systems are used to detect bots that may be involved in propaganda or other potentially malicious activities. == Weak AI versus strong AI == John Searle contests the possibility of strong AI (by which he means conscious AI). He further believes that the Turing test (created by Alan Turing and originally called the "imitation game", used to assess whether a machine can converse indistinguishably from a human) is not accurate or appropriate for testing whether an AI is "strong". Scholars such as Antonio Lieto have argued that the current research on both AI and cognitive modelling are perfectly aligned with the weak-AI hypothesis (that should not be confused with the "general" vs "narrow" AI distinction) and that the popular assumption that cognitively inspired AI systems espouse the strong AI hypothesis is ill-posed and problematic since "artificial models of brain and mind can be used to understand mental phenomena without pretending that that they are the real phenomena that they are modelling" (as, on the other hand, implied by the strong AI assumption).
How to Choose an AI Headshot Generator
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The Best Free AI Bug Finder for Beginners
Shopping for the best AI bug finder? An AI bug finder is software that uses machine learning to help you get more done — it keeps getting smarter as the underlying models improve. Pricing, accuracy, and the size of the model behind the tool are the three factors that most affect daily usefulness. Whether you are a beginner or a pro, the right AI bug finder slots into your workflow and pays for itself fast. We tested the leading options and ranked them by quality, value, and ease of use.
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View synthesis
In computer graphics, view synthesis, or novel view synthesis, is a task which consists of generating images of a specific subject or scene from a specific point of view, when the only available information is pictures taken from different points of view. This task was only recently (late 2010s – early 2020s) tackled with significant success, mostly as a result of advances in machine learning. Notable successful methods are Neural radiance fields and 3D Gaussian Splatting. Applications of view synthesis are numerous, one of them being Free view point television. The technique has also been applied to real-estate marketing, where novel views of a listing's interior are generated from a limited set of photographs for use in virtual home staging.
Julia Hirschberg
Julia Hirschberg is an American computer scientist noted for her research on computational linguistics and natural language processing. She received her first PhD in history from the University of Michigan and the second from the University of Pennsylvania in computer science doing research in Natural Language Processing. She worked at Bell Labs and AT&T Bell Labs from 1985 to 2002 and from 2002 at Columbia University where she is currently the Percy K. and Vida L. W. Hudson Professor of Computer Science. == Biography == Julia Linn Bell Hirschberg received her first Ph.D. degree in history (16th-century Mexico) from University of Michigan in 1976. She served on the History faculty of Smith College from 1974 to 1982. She subsequently shifted to Computer Science studies, receiving her M.S. in Computer and Information Science from University of Pennsylvania in 1982 and a Ph.D. in Computer and Information Science from University of Pennsylvania in 1985. Upon graduation from University of Pennsylvania in 1985, Hirschberg joined AT&T Bell Labs as a Member of Technical staff in the Linguistics Research Department, where she worked on improving prosody assignment for Text-to-Speech Synthesis (TTS) in the Bell Labs TTS system. She was promoted to Department Head in 1994 when she created a new Human Computer Interface Research Lab. She and her department remained at Bell Labs until 1996 when they moved to AT&T Labs Research as part of a corporate reorganization. In 2002, she joined the Columbia University faculty as a professor in the Department of Computer Science. She served as Chair of the Computer Science Department from 2012 to 2018. She still leads classes at Columbia in speech and natural language research and supervises PhD students and a large number of research project students. == Research == Hirschberg's research has included prosody, discourse structure, conversational implicature, text-to-speech synthesis, speech summarization, spoken dialogue systems, emotional speech, deceptive speech, charismatic speech, entrainment, empathetic speech and code-switching. Hirschberg was among the first to combine Natural Language Processing (NLP) approaches to discourse and dialogue with speech research. She pioneered techniques in text analysis for prosody assignment in Text-to-Speech synthesis at Bell laboratories in the 1980s and 1990s, developing corpus-based statistical models based upon syntactic and discourse information which are in general use today in TTS systems. With Janet Pierrehumbert, she developed a theoretical model of intonational meaning. She was a leader in the development of the ToBI conventions for intonational description, which have been extended to numerous languages and which today are the most widely used standard for intonational annotation. Hirschberg has been a pioneer together with Gregory Ward in much experimental work on intonational sources of language meaning and how these interact with pragmatic phenomena, particularly on the meaning of accent (intonational prominent) items and the meaning of intonational contours. She also has innovated in numerous other areas involving prosody and meaning, including the role of grammatical function and surface position in pitch accent location, the use of prosody in disambiguating cue phrases (discourse markers) with Diane Litman, the role of prosody in disambiguation in English, Italian, and Spanish with Cinzia Avesani and Pilar Prieto, and the automatic identification of speech recognition errors using prosodic information, At AT&T Labs she worked with Fernando Pereira, Steve Whittaker, and others on speech search and developing new interfaces for speech navigation. At Columbia, she and her students have continued and extended research on spoken dialogue systems (automatically detecting speech recognition errors and inappropriate system queries, modeling turn-taking behavior, dialogue entrainment, modeling and generating clarification dialogues); on the automatic classification of trust, charisma, deception and emotion from speech; on speech summarization; prosody translation, hedging behavior in text and speech, text-to-speech synthesis, and speech search in low resource languages. She also holds several patents in TTS and in speech search. Corpora she and collaborators have collected include the Boston Directions Corpus, the Columbia SRI Colorado Deception Corpus, and the Columbia Games Corpus. She has served on numerous technical boards and editorial committees. She has served as a member of the Computing Research Association's (CRA) Board of Directors and as co-chair of CRA-W. She is also noted for her leadership in broadening participation in computing. == Awards == Hirschberg's notable honors and awards include: Elected as a member of the National Academy of Artificial Intelligence Academy of Sciences and recipient of the NAAI Artificial Intelligence Exploration Award, 2025 Elected as a Fellow of Asia-Pacific Artificial Intelligence Association (AAIA), 2024. 2020 ISCA Special Service Medal Honorary Doctorate (eredoctoraat) from Tilburg University, Netherlands, 2018. American Academy of Arts and Sciences, 2018. IEEE Fellow, 2017 National Academy of Engineering, 2017 ACM Fellow in 2015 Elected member, American Philosophical Society, 2014. Honorary member, Association for Laboratory Phonology, 2014. Association for Computational Linguistics (ACL) (Founding) Fellow, 2011. International Speech Communication Association (ISCA) Medal for Scientific Achievement, 2011. IEEE James L. Flanagan Speech and Audio Processing Award, 2011. Honorary Doctorate (Hedersdoktorer), KTH (Royal Institute of Technology) Stockholm, Sweden, 2007. AAAI Fellow, 1994. == Publications == A social history of Puebla de Los Ángeles, 1531-60, 1976 Empirical studies on the disambiguation of cue phrases, 1991 Prosody and conversation, 1998 Most recent publications and other information, https://www.cs.columbia.edu/speech/.