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  • TimeTiger

    TimeTiger

    TimeTiger is a time and project tracking app developed by Indigo Technologies Ltd. in Toronto, Ontario, Canada. Indigo was founded in 1997 and initially released TimeTiger in 1998. == Company == The company was incorporated in 1997 and began operations as a custom software developer. TimeTiger (internally called TaskMaster) was developed as a tool to help with Indigo's own project planning and estimating. After releasing TimeTiger as a commercial product in 1998, Indigo shifted its focus to time and project management solutions. TimeTiger first introduced support for web-based time logging in 2000, to appeal to workers who were not already tracking their time for billing reasons. Subsequent development emphasized project analysis tools. == Features == Web-based electronic time log "To Do" list to monitor project and non-project activities Pivot table report designer Role-based access control == Software integration == Reports can be exported to Microsoft Excel or saved as Excel-compatible HTML files. Microsoft Project files can be imported and exported. A Software Development Kit is available.

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  • Pushpak Bhattacharyya

    Pushpak Bhattacharyya

    Pushpak Bhattacharyya (3 July 1962 – 5 October 2025) was an Indian computer scientist and professor in the Department of Computer Science and Engineering at the IIT Bombay. He served as the Director of the IIT Patna from 2015 to 2021. He was a past President of the Association for Computational Linguistics (2016–17), and held the Vijay and Sita Vashee Chair Professorship at IIT Bombay. Bhattacharyya led the Natural Language Processing (NLP) research group at the Centre for Indian Language Technology (CFILT) at IIT Bombay until his death. At the inauguration of the Nilekani Centre at AI4Bharat, IIT Madras, Nandan Nilekani, Co-founder and Non-Executive Chairman of Infosys, referred to Bhattacharyya as the "Godfather of Indian NLP". == Early life and education == Bhattacharyya was born in Shillong in 1962. He completed his schooling at Jail Road Boys' High School, Shillong. He obtained a B.Tech. in Computer Science from the IIT Kharagpur, followed by an M.Tech. from the IIT Kanpur, and a Ph.D. in Computer Science from IIT Bombay in 1994. == Research == Bhattacharyya’s research areas includes Natural language processing, Artificial intelligence, Machine learning, Psycholinguistics, Eye tracking, and Information retrieval. He made contributions to the development of multilingual lexical databases such as IndoWordNet and other projects related to machine translation and computational linguistics. He authored and co-authored multiple academic works, including Investigations in Computational Sarcasm (with Aditya Joshi), Cognitively Inspired Natural Language Processing: An Investigation Based on Eye Tracking (with Abhijit Mishra), and Machine Translation and Transliteration of Low Resource Related Languages (with Anoop Kunchukuttan). Over his career, Bhattacharyya published more than 350 research papers in journals and conference proceedings and supervised over 300 undergraduate, master’s, and doctoral students. His projects often addressed computational challenges for Indian languages, such as developing wordnets, building translation systems for low-resource languages, and studying cognitive aspects of language processing. He also led government- and industry-funded research initiatives supported by organizations including IBM, Microsoft, Yahoo, and the United Nations. == Death == Bhattacharyya died on 5 October 2025, at the age of 63. == Awards == Patwardhan Award, IIT Bombay, for Technology Development VNMM Award, IIT Roorkee, for Technology Development Fellow, Indian National Academy of Engineering Eminent Engineer Award, Institution of Engineers (India)

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  • Volker Markl

    Volker Markl

    Volker Markl (born 1971) is a German computer scientist and database systems researcher. == Career == In 1999, Markl received his PhD in computer science under the direction of Rudolf Bayer at the Technical University of Munich. His doctoral research led to the development of the UB-Tree. From 1997 to 2000, he was research group leader at FORWISS, the Bavarian research center for knowledge-based systems. From 2001 to 2008, he was project leader at the IBM Almaden Research Center, Silicon Valley. Since 2008, he has been full professor and Chair of the Database Systems and Information Management Group at Technische Universität Berlin. Since 2014, he is head of the Intelligent Analytics for Massive Data Research Department at the German Research Centre for Artificial Intelligence (DFKI), Berlin. From 2014 to 2020, he was director of the Berlin Big Data Center (BBDC). From 2018 to 2020, he was co-director of the Berlin Machine Learning Center (BZML). Together with Klaus-Robert Müller he became director of the new Berlin Institute for the Foundations of Learning and Data (BIFOLD), after both BBDC and the BZML merged into BIFOLD in 2020. From 2010 through 2019, he led the DFG funded Stratosphere project, which led to the establishment of Apache Flink. In 2018, he was elected president of the VLDB Endowment for a six years period that ended in 2024. == Research == Markl’s research interests lie at the intersection of distributed systems, scalable data processing, and machine learning. == Awards and honors == Markl was elected member of the Berlin-Brandenburg Academy of Sciences and Humanities in 2021. Since 2026 he is member of the German National Academy of Sciences Leopoldina. His work was honoured with several awards, including: 2025 ICDE Best Paper Award 2021 ICDE Best Paper Award 2021 BTW Best Paper Award 2020 ACM SIGMOD Best Paper Award 2020 ACM Fellow 2019 EDBT Best Paper Award 2017 BTW Best Paper Award 2017 EDBT Best Demonstration Award 2016 ACM SIGMOD Research Highlight Award 2014 VLDB Best Paper Award 2012 IBM Faculty Award 2012 IBM Shared University Research Grant 2010 Hewlett Packard Open Innovation Award 2005 IBM Outstanding Technological Achievement Award 2005 IBM Pat Goldberg Best Paper Award

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  • AI Video Generators: Free vs Paid (2026)

    AI Video Generators: Free vs Paid (2026)

    In search of the best AI video generator? An AI video generator is software that uses machine learning to help you get more done — it turns a rough idea into a polished result in seconds. When choosing one, weigh output quality, pricing, export formats, and how well it fits the tools you already use. Whether you are a beginner or a pro, the right AI video generator slots into your workflow and pays for itself fast. Below we compare features, pricing, and real output so you can choose with confidence.

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  • United States Tech Force

    United States Tech Force

    The U.S. Tech Force (also styled as US Tech Force, Tech Force, or Government Tech Force) is a federal hiring initiative launched by the second Donald Trump administration in December 2025. The program, administered by the Office of Personnel Management (OPM), aims to recruit about 1,000 early-career technology professionals into two-year government jobs to modernize federal IT systems, advance artificial intelligence (AI) capabilities, and address technological gaps in government operations. The initiative is an effort to plug capability gaps created by Trump-administration efforts to shrink the federal government, which led to the departure of some 220,000 federal employees, including many in IT. The initiative seeks early-career workers; officials said it would offer competitive salaries and opportunities to work on high-impact government technology projects. Major technology companies—including Amazon, Apple, Microsoft, Nvidia, Meta, Google, and OpenAI—agreed to help identify and refer candidates. Candidates are allowed to take Tech Force positions on leaves of absence and without divesting their stock, raising conflict-of-interest questions. In January 2026, OPM direction Scott Kupor said the deadline for applying to Tech Force was being extended because of "tremendous interest" without saying how many people had actually applied. Also in December 2025, news broke that the administration is planning another novel use of private-sector workers: hiring cybersecurity firms for offensive cyber operations.

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  • Is an AI Paraphrasing Tool Worth It in 2026?

    Is an AI Paraphrasing Tool Worth It in 2026?

    Curious about the best AI paraphrasing tool? An AI paraphrasing tool is software that uses machine learning to help you get more done — it combines speed, accuracy, and an interface that just works. Hands-on testing shows real-world results vary, so a short free trial is the smartest way to decide. Whether you are a beginner or a pro, the right AI paraphrasing tool slots into your workflow and pays for itself fast. This guide breaks down the top picks, their pros and cons, and who each one is best for.

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  • AI Logo Makers: Free vs Paid (2026)

    AI Logo Makers: Free vs Paid (2026)

    Comparing the best AI logo maker? An AI logo maker is software that uses machine learning to help you get more done — it lowers the barrier so anyone can produce professional output. Privacy matters too: check whether your data trains the model and whether a no-log or enterprise tier is available. Whether you are a beginner or a pro, the right AI logo maker slots into your workflow and pays for itself fast. Below we compare features, pricing, and real output so you can choose with confidence.

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  • Round-trip translation

    Round-trip translation

    Round-trip translation (RTT), also known as back-and-forth translation, recursive translation and bi-directional translation, is the process of translating a word, phrase or text into another language (forward translation), then translating the result back into the original language (back translation), using machine translation (MT) software. It is often used by laypeople to evaluate a machine translation system, or to test whether a text is suitable for MT when they are unfamiliar with the target language. Because the resulting text can often differ substantially from the original, RTT can also be a source of entertainment. == Software quality == To compare the quality of different machine translation systems, users perform RTT and compare the resulting text to the original. The theory is that the closer the result of the RTT is to the original text, the higher the quality of the machine translation system. One of the problems with this technique is that if there is a problem with the resulting text it is impossible to know whether the error occurred in the forward translation, in the back translation, or in both. In addition, it is possible to get a good back translation from a bad forward translation. A study using the automatic evaluation methods BLEU and F-score compared five different free online translation programs, evaluating the quality of both the forward translation and the back translation, and found no correlation between the quality of the forward translation and the quality of the back translation (i.e., a high quality forward translation did not always correspond to a high quality back translation). The author concluded that RTT was a poor method of predicting the quality of machine translation software. This conclusion was reinforced by a more in-depth study also using automatic evaluation methods. A subsequent study which included human evaluation of the back translation in addition to automatic evaluation methods found that RTT might have some ability to predict the quality of a machine translation system not on a sentence-by-sentence basis but for larger texts. == Suitability of text for machine translation == It is also suggested that RTT can be used to determine whether a text is suitable for machine translation. The idea being that if RTT results in a text that is close to the original, the text is suitable for MT. If after using RTT, the resulting text is inaccurate, the source text can then be edited until a satisfactory result is achieved. One of the studies looking at RTT as a means of measuring MT system quality also looked at its ability to predict whether a text was suitable for machine translation. It found that using different types of text also did not result in any correlation between the quality of the forward translation and the quality of the back translation. In contrast another study using human evaluation found that there was a correlation between the quality of the forward translation and the back translation and that this correlation could be used to estimate the quality of the forward translation. This correlation could be used to estimate the quality of the forward translation and by simplifying the source text, improve the quality of the forward translation. == Entertainment == Although the use of RTT for assessing MT system quality or the suitability of a text for MT is in doubt, it is a way to have fun with machine translation. The text produced from an RTT can be comically bad. At one time websites existed for the sole purpose of performing RTT for fun. Other variations send the text through several languages before translating it back into the original or continue translating the text back and forth until it reaches equilibrium (i.e., the result of the back translation is identical to the text used for the forward translation). RTT as entertainment appeared in Philip K. Dick's novel Galactic Pot-Healer. The main character runs book titles and sayings through RTT then has his friends try to guess the original. The Australian television show Spicks and Specks had a contest called "Turning Japanese" which used RTT on song lyrics. Contestants needed to correctly guess the title of the song from which the lyrics were taken.

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  • List of software palettes

    List of software palettes

    This is a list of software palettes used by computers. Systems that use a 4-bit or 8-bit pixel depth can display up to 16 or 256 colors simultaneously. Many personal computers in the early 1990s displayed at most 256 different colors, freely selected by software (either by the user or by a program) from their wider hardware's RGB color palette. Usual selections of colors in limited subsets (generally 16 or 256) of the full palette includes some RGB level arrangements commonly used with the 8-bit palettes as master palettes or universal palettes (i.e., palettes for multipurpose uses). These are some representative software palettes, but any selection can be made in such of systems. For specific hardware color palettes, see the list of monochrome and RGB palettes, list of 8-bit computer hardware graphics, the list of 16-bit computer hardware graphics and the list of video game console palettes articles. Each palette is represented by an array of color patches. A one-pixel size version appears below each palette, to make it easy to compare palette sizes. For each unique palette, an image color test chart and sample image (truecolor original follows) rendered with that palette (without dithering) are given. The test chart shows the full 8-bit, 256 levels of the red, green, and blue (RGB) primary colors and cyan, magenta, and yellow complementary colors, along with a full 8-bit, 256 levels grayscale. Gradients of RGB intermediate colors (orange, lime green, sea green, sky blue, violet and fuchsia), and a full hue spectrum are also present. Color charts are not gamma corrected. These elements illustrate the color depth and distribution of the colors of any given palette, and the sample image indicates how the color selection of such palettes could represent real-life images. == System specifics == These are selections of colors officially employed as system palettes in some popular operating systems for personal computers that support 8-bit displays. === Microsoft Windows and IBM OS/2 default 16-color palette === Used by these platforms as a roughly backward compatible palette for the CGA, EGA and VGA text modes, but with colors arranged in a different order. Also, is the default palette for 16 color icons. The corresponding indices into this palette are: === Microsoft Windows default 20-color palette === In 256-color mode, there are four additional standard Windows colors, twenty system reserved colors in total; thus the system leaves 236 palette indexes free for applications to use. The system color entries inside a 256-color palette table are the first ten plus the last ten. In any case, the additional system colors do not seem to add a sharp color richness: they are only some intermediate shades of grayish colors. Since Windows 95, these additional colors can be changed by the system when a color scheme needs custom colors, reducing their utility as static, unchanging palette entries. The complete 20-color Windows system palette is: === Apple Macintosh default 16-color palette === When Apple Computer introduced the Macintosh II in 1987, this 16-color palette was included in System 4.1. === RISC OS default palette === Acorn RISC OS 2.x and 3.x provided this 16-color palette: === Solaris default 16-color palette === Solaris OS used this color palette: == RGB arrangements == These are selections of colors based in evenly ordered RGB levels which provide complete RGB combinations, mainly used as master palettes to display any kind of image within the limitations of the 8-bit pixel depth. === 6 level RGB === Having six levels for every primary, with 6³ = 216 combinations. The index can be addressed by (36×R)+(6×G)+B, with all R, G and B values in a range from 0 to 5. Intended as homogeneous RGB cube, it gives six true grays. Also, there is room for another sorts of 40 colors, so operating systems or programs can add extra colors. Systems that use this software palette are: Web-safe colors Apple Macintosh 256 color default palette. It also contains four gradients of ten shades each for gray, red, green and blue. === 6-7-6 levels RGB === This palette is constructed with six levels for red and blue primaries and seven levels for the green primary, giving 6×7×6 = 252 combinations. The index can be addressed by (42×R)+(6×G)+B, with R and B values in a range from 0 to 5 and G in a range from 0 to 6. The same case as the former, but with an added level of green due to the greater sensibility of the normal human eye to this frequency. It does not provide true grays, but remaining indexes can be filled with four intermediate grays. In any case, there is little room for any other color. === 6-8-5 levels RGB === This palette is constructed with six levels for red, eight levels for green and five levels for the blue primaries, giving 6×8×5 = 240 combinations. The index can be addressed by (40×R)+(5×G)+B, with R ranging from 0 to 5, G from 0 to 7 and B from 0 to 4. Levels are chosen in function of sensibility of the normal human eye to every primary color. Also, it does not provide true grays. Remaining indexes can be filled with sixteen intermediate grays or other fixed colors. In fact, this is the best balanced RGB master software palette, in a compromise between the RGB arrangement based in the human eye's sensibility and a sufficient remaining palette entries for another purposes. === 8-8-4 levels RGB === The 8-8-4 level RGB use eight levels for each of the red and green color components (3+3 high order bits), and four levels (2 low order bits) for the blue component, due to the lesser sensitivity of the normal human eye to this primary color. This results in an 8×8×4 = 256-color palette as follows: This RGB software palette occupies the full 8-bit range of possible palette entries, so there is no room for other fixed colors. Software using this palette must draw their user interface elements with the same colors used to show pictures. Also again, it does not provide true grays. == Other common uses of software palettes == === Grayscale palettes === Simple palette made doing every triplet RGB primaries having equal values as a continuous gradient from black to white through the full available palette entries. Here is the 8-bit, 256 levels palette: Used to display pure grayscale TIFF or JPEG images, for example. === Color gradient palettes === Palettes made of a continuous color gradient from darkest to lightest arbitrary hues. The pixel data is treated as if it were grayscale, but the color table plays with RGB color combinations, not only gray. The relationship between the original luminance and the mapped one can vary, but the lighting scale is preserved along all the palette entries. One very common case of such palettes is the sepia tone palette, which gives an image an old fashioned and aged look (left). Another gradient example, based on blue hues, is presented here (right), but any hue or mixing of hues can be used. Many cell phones with built-in cameras have options to take colorized photos using this technique. === Adaptive palettes === Those whose whole number of available indexes are filled with RGB combinations selected from the statistical order of appearance (usually balanced) of a concrete full true color original image. There exist many algorithms to pick the colors through color quantization; one well known is the Heckbert's median-cut algorithm. Here is the 8-bit, 256 color palette used with the color test chart and the image sample above: Adaptive palettes only work well with a unique image. Trying to display different images with adaptive palettes over an 8-bit display usually results in only one image with correct colors, because the images have different palettes and only one can be displayed at a time. Here is an example of what happens when an indexed color image is displayed with any color palette that is not its own adaptive palette: === False color palettes === Arbitrary gradient color scales, usually 256 shades, with no relationship with real colors of a given image. They are employed to artificially colorize a grayscale image to reveal details and/or to map the pixel level values to amounts of some physical magnitude (potential, temperature, altitude, etc.) Note, in the example above, that new details can be seen as blue over magenta in the background's dark areas of the original photograph. Here is the 8-bit, 256 color gradient palette used with the color test chart and the image sample above: There exist many false color palettes, some of them standardized, used mainly in scientific applications: astronomy and radioastronomy, satellite land imaging, thermography, study of materials, tomography and magnetic resonance imaging in medicine, etc.

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  • Finite-state transducer

    Finite-state transducer

    A finite-state transducer (FST) is a finite-state machine with two memory tapes, following the terminology for Turing machines: an input tape and an output tape. This contrasts with an ordinary finite-state automaton, which has a single tape. An FST is a type of finite-state automaton (FSA) that maps between two sets of symbols. An FST is more general than an FSA. An FSA defines a formal language by defining a set of accepted strings, while an FST defines a relation between sets of strings. An FST will read a set of strings on the input tape and generate a set of relations on the output tape. An FST can be thought of as a translator or relater between strings in a set. In morphological parsing, an example would be inputting a string of letters into the FST, the FST would then output a string of morphemes. == Overview == An automaton can be said to recognize a string if we view the content of its tape as input. In other words, the automaton computes a function that maps strings into the set {0,1}. Alternatively, we can say that an automaton generates strings, which means viewing its tape as an output tape. On this view, the automaton generates a formal language, which is a set of strings. The two views of automata are equivalent: the function that the automaton computes is precisely the indicator function of the set of strings it generates. The class of languages generated by finite automata is known as the class of regular languages. The two tapes of a transducer are typically viewed as an input tape and an output tape. On this view, a transducer is said to transduce (i.e., translate) the contents of its input tape to its output tape, by accepting a string on its input tape and generating another string on its output tape. It may do so nondeterministically and it may produce more than one output for each input string. A transducer may also produce no output for a given input string, in which case it is said to reject the input. In general, a transducer computes a relation between two formal languages. Each string-to-string finite-state transducer relates the input alphabet Σ to the output alphabet Γ. Relations R on Σ×Γ that can be implemented as finite-state transducers are called rational relations. Rational relations that are partial functions, i.e. that relate every input string from Σ to at most one Γ, are called rational functions. Finite-state transducers are often used for phonological and morphological analysis in natural language processing research and applications. Pioneers in this field include Ronald Kaplan, Lauri Karttunen, Martin Kay and Kimmo Koskenniemi. A common way of using transducers is in a so-called "cascade", where transducers for various operations are combined into a single transducer by repeated application of the composition operator (defined below). == Formal construction == Formally, a finite transducer T is a 6-tuple (Q, Σ, Γ, I, F, δ) such that: Q is a finite set, the set of states; Σ is a finite set, called the input alphabet; Γ is a finite set, called the output alphabet; I is a subset of Q, the set of initial states; F is a subset of Q, the set of final states; and δ ⊆ Q × ( Σ ∪ { ϵ } ) × ( Γ ∪ { ϵ } ) × Q {\displaystyle \delta \subseteq Q\times (\Sigma \cup \{\epsilon \})\times (\Gamma \cup \{\epsilon \})\times Q} (where ε is the empty string) is the transition relation. We can view (Q, δ) as a labeled directed graph, known as the transition graph of T: the set of vertices is Q, and ( q , a , b , r ) ∈ δ {\displaystyle (q,a,b,r)\in \delta } means that there is a labeled edge going from vertex q to vertex r. We also say that a is the input label and b the output label of that edge. NOTE: This definition of finite transducer is also called letter transducer (Roche and Schabes 1997); alternative definitions are possible, but can all be converted into transducers following this one. Define the extended transition relation δ ∗ {\displaystyle \delta ^{}} as the smallest set such that: δ ⊆ δ ∗ {\displaystyle \delta \subseteq \delta ^{}} ; ( q , ϵ , ϵ , q ) ∈ δ ∗ {\displaystyle (q,\epsilon ,\epsilon ,q)\in \delta ^{}} for all q ∈ Q {\displaystyle q\in Q} ; and whenever ( q , x , y , r ) ∈ δ ∗ {\displaystyle (q,x,y,r)\in \delta ^{}} and ( r , a , b , s ) ∈ δ {\displaystyle (r,a,b,s)\in \delta } then ( q , x a , y b , s ) ∈ δ ∗ {\displaystyle (q,xa,yb,s)\in \delta ^{}} . The extended transition relation is essentially the reflexive transitive closure of the transition graph that has been augmented to take edge labels into account. The elements of δ ∗ {\displaystyle \delta ^{}} are known as paths. The edge labels of a path are obtained by concatenating the edge labels of its constituent transitions in order. The behavior of the transducer T is the rational relation [T] defined as follows: x [ T ] y {\displaystyle x[T]y} if and only if there exists i ∈ I {\displaystyle i\in I} and f ∈ F {\displaystyle f\in F} such that ( i , x , y , f ) ∈ δ ∗ {\displaystyle (i,x,y,f)\in \delta ^{}} . This is to say that T transduces a string x ∈ Σ ∗ {\displaystyle x\in \Sigma ^{}} into a string y ∈ Γ ∗ {\displaystyle y\in \Gamma ^{}} if there exists a path from an initial state to a final state whose input label is x and whose output label is y. === Weighted automata === Finite State Transducers can be weighted, where each transition is labelled with a weight in addition to the input and output labels. A Weighted Finite State Transducer (WFST) over a set K of weights can be defined similarly to an unweighted one as an 8-tuple T=(Q, Σ, Γ, I, F, E, λ, ρ), where: Q, Σ, Γ, I, F are defined as above; E ⊆ Q × ( Σ ∪ { ϵ } ) × ( Γ ∪ { ϵ } ) × Q × K {\displaystyle E\subseteq Q\times (\Sigma \cup \{\epsilon \})\times (\Gamma \cup \{\epsilon \})\times Q\times K} (where ε is the empty string) is the finite set of transitions; λ : I → K {\displaystyle \lambda :I\rightarrow K} maps initial states to weights; ρ : F → K {\displaystyle \rho :F\rightarrow K} maps final states to weights. In order to make certain operations on WFSTs well-defined, it is convenient to require the set of weights to form a semiring. Two typical semirings used in practice are the log semiring and tropical semiring: nondeterministic automata may be regarded as having weights in the Boolean semiring. Two weighted FST can be composed. == Operations on finite-state transducers == The following operations defined on finite automata also apply to finite transducers: Union. Given transducers T and S, there exists a transducer T ∪ S {\displaystyle T\cup S} such that x [ T ∪ S ] y {\displaystyle x[T\cup S]y} if and only if x [ T ] y {\displaystyle x[T]y} or x [ S ] y {\displaystyle x[S]y} . Concatenation. Given transducers T and S, there exists a transducer T ⋅ S {\displaystyle T\cdot S} such that x [ T ⋅ S ] y {\displaystyle x[T\cdot S]y} if and only if there exist x 1 , x 2 , y 1 , y 2 {\displaystyle x_{1},x_{2},y_{1},y_{2}} with x = x 1 x 2 , y = y 1 y 2 , x 1 [ T ] y 1 {\displaystyle x=x_{1}x_{2},y=y_{1}y_{2},x_{1}[T]y_{1}} and x 2 [ S ] y 2 . {\displaystyle x_{2}[S]y_{2}.} Kleene closure. Given a transducer T, there might exist a transducer T ∗ {\displaystyle T^{}} with the following properties: and x [ T ∗ ] y {\displaystyle x[T^{}]y} does not hold unless mandated by (k1) or (k2). Composition. Given a transducer T on alphabets Σ and Γ and a transducer S on alphabets Γ and Δ, there exists a transducer T ∘ S {\displaystyle T\circ S} on Σ and Δ such that x [ T ∘ S ] z {\displaystyle x[T\circ S]z} if and only if there exists a string y ∈ Γ ∗ {\displaystyle y\in \Gamma ^{}} such that x [ T ] y {\displaystyle x[T]y} and y [ S ] z {\displaystyle y[S]z} . This operation extends to the weighted case. This definition uses the same notation used in mathematics for relation composition. However, the conventional reading for relation composition is the other way around: given two relations T and S, ( x , z ) ∈ T ∘ S {\displaystyle (x,z)\in T\circ S} when there exist some y such that ( x , y ) ∈ S {\displaystyle (x,y)\in S} and ( y , z ) ∈ T . {\displaystyle (y,z)\in T.} Projection to an automaton. There are two projection functions: π 1 {\displaystyle \pi _{1}} preserves the input tape, and π 2 {\displaystyle \pi _{2}} preserves the output tape. The first projection, π 1 {\displaystyle \pi _{1}} is defined as follows: Given a transducer T, there exists a finite automaton π 1 T {\displaystyle \pi _{1}T} such that π 1 T {\displaystyle \pi _{1}T} accepts x if and only if there exists a string y for which x [ T ] y . {\displaystyle x[T]y.} :The second projection, π 2 {\displaystyle \pi _{2}} is defined similarly. Determinization. Given a transducer T, we want to build an equivalent transducer that has a unique initial state and such that no two transitions leaving any state share the same input label. The powerset construction can be extended to transducers, or even weighted transducers, but sometimes fails to halt; indeed, some non-deterministic transducers do not admit equivalent

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  • Katz's back-off model

    Katz's back-off model

    Katz back-off is a generative n-gram language model that estimates the conditional probability of a word given its history in the n-gram. It accomplishes this estimation by backing off through progressively shorter history models under certain conditions. By doing so, the model with the most reliable information about a given history is used to provide the better results. The model was introduced in 1987 by Slava M. Katz. Prior to that, n-gram language models were constructed by training individual models for different n-gram orders using maximum likelihood estimation and then interpolating them together. == Method == The equation for Katz's back-off model is: P b o ( w i ∣ w i − n + 1 ⋯ w i − 1 ) = { d w i − n + 1 ⋯ w i C ( w i − n + 1 ⋯ w i − 1 w i ) C ( w i − n + 1 ⋯ w i − 1 ) if C ( w i − n + 1 ⋯ w i ) > k α w i − n + 1 ⋯ w i − 1 P b o ( w i ∣ w i − n + 2 ⋯ w i − 1 ) otherwise {\displaystyle {\begin{aligned}&P_{bo}(w_{i}\mid w_{i-n+1}\cdots w_{i-1})\\[4pt]={}&{\begin{cases}d_{w_{i-n+1}\cdots w_{i}}{\dfrac {C(w_{i-n+1}\cdots w_{i-1}w_{i})}{C(w_{i-n+1}\cdots w_{i-1})}}&{\text{if }}C(w_{i-n+1}\cdots w_{i})>k\\[10pt]\alpha _{w_{i-n+1}\cdots w_{i-1}}P_{bo}(w_{i}\mid w_{i-n+2}\cdots w_{i-1})&{\text{otherwise}}\end{cases}}\end{aligned}}} where C(x) = number of times x appears in training wi = ith word in the given context Essentially, this means that if the n-gram has been seen more than k times in training, the conditional probability of a word given its history is proportional to the maximum likelihood estimate of that n-gram. Otherwise, the conditional probability is equal to the back-off conditional probability of the (n − 1)-gram. The more difficult part is determining the values for k, d and α. k {\displaystyle k} is the least important of the parameters. It is usually chosen to be 0. However, empirical testing may find better values for k. d {\displaystyle d} is typically the amount of discounting found by Good–Turing estimation. In other words, if Good–Turing estimates C {\displaystyle C} as C ∗ {\displaystyle C^{}} , then d = C ∗ C {\displaystyle d={\frac {C^{}}{C}}} To compute α {\displaystyle \alpha } , it is useful to first define a quantity β, which is the left-over probability mass for the (n − 1)-gram: β w i − n + 1 ⋯ w i − 1 = 1 − ∑ { w i : C ( w i − n + 1 ⋯ w i ) > k } d w i − n + 1 ⋯ w i C ( w i − n + 1 ⋯ w i − 1 w i ) C ( w i − n + 1 ⋯ w i − 1 ) {\displaystyle \beta _{w_{i-n+1}\cdots w_{i-1}}=1-\sum _{\{w_{i}:C(w_{i-n+1}\cdots w_{i})>k\}}d_{w_{i-n+1}\cdots w_{i}}{\frac {C(w_{i-n+1}\cdots w_{i-1}w_{i})}{C(w_{i-n+1}\cdots w_{i-1})}}} Then the back-off weight, α, is computed as follows: α w i − n + 1 ⋯ w i − 1 = β w i − n + 1 ⋯ w i − 1 ∑ { w i : C ( w i − n + 1 ⋯ w i ) ≤ k } P b o ( w i ∣ w i − n + 2 ⋯ w i − 1 ) {\displaystyle \alpha _{w_{i-n+1}\cdots w_{i-1}}={\frac {\beta _{w_{i-n+1}\cdots w_{i-1}}}{\sum _{\{w_{i}:C(w_{i-n+1}\cdots w_{i})\leq k\}}P_{bo}(w_{i}\mid w_{i-n+2}\cdots w_{i-1})}}} The above formula only applies if there is data for the "(n − 1)-gram". If not, the algorithm skips n-1 entirely and uses the Katz estimate for n-2. (and so on until an n-gram with data is found) == Discussion == This model generally works well in practice, but fails in some circumstances. For example, suppose that the bigram "a b" and the unigram "c" are very common, but the trigram "a b c" is never seen. Since "a b" and "c" are very common, it may be significant (that is, not due to chance) that "a b c" is never seen. Perhaps it's not allowed by the rules of the grammar. Instead of assigning a more appropriate value of 0, the method will back off to the bigram and estimate P(c | b), which may be too high.

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  • Madhan Karky

    Madhan Karky

    Madhan Karky Vairamuthu is an Indian lyricist, screenwriter, research associate, software engineer, and entrepreneur. A holder of a doctorate in computer science from the University of Queensland, Karky began his professional career as an assistant professor at the College of Engineering, Guindy, and soon after ventured into the Tamil cinema, working as a lyricist and dialogue writer. He resigned from his teaching profession in early 2013 and began working full-time in the film industry, while also launching the Karky Research Foundation (KaReFo), an educational research organization which primarily focuses on language computing and language literacy. He also founded the Mellinam Education, which develops educational games and story books designed to propagate learning among children, and DooPaaDoo, an online music platform which promotes independent music and serves a distributor for film soundtracks. == Early life == Karky is the eldest son of seven-time National Award winning lyricist Vairamuthu and Ponmani, a Tamil scholar and veteran professor at the Meenakshi College for Women. He has a younger brother, Kabilan, who is a novelist and also works as a lyricist and dialogue writer for Tamil films. === Education === He grew up in Chennai and was educated at the Loyala Matriculation School in Kodambakkam. By his own admission, he was not a good student, excelling primarily only in Tamil and English. During his time in high school, he gained an interest in computer science He got admission in College of Engineering, Guindy which is affiliated with the Anna University. He began his undergraduate education in the field of Computer engineering in the year 1997. While in CEG, as part of his final year project, Karky developed a program called the Tamil Voice Engine, under the supervision of Professor T.V. Geetha. The goal of the project was construction of a text to speech engine for the Tamil language. The research paper on the project was officially selected at the Tamil Internet Conference in Kuala Lumpur, Malaysia. Other projects during his tenure include the Name Generator, which was part of his course on Creativity, Innovation and New Product Development (the objective being to generate random names that are pronounceable with respect to Indian phonetics) and Compiler Design, for which a high level programming language was conceived, with the goal of proper specification and interpretation of lexical rules and grammar rules. For Chennai Kavigal, he created a Spell Checker for a Tamil Word Processor. The project involved a lot of Natural Language Processing elements, based on a root dictionary built as a part of the morphological analyzer for the Tamil Language. The endgame being determining the correctness of words. Following the completion of his bachelor's degree in 2001, Karky began his master's degree at the University of Queensland in the year 2003. In that particular stint, he developed a project based on the theory of computation and strong mathematics (under the supervision of Dr. George Havas). It aimed at analyzing an existing algorithm of reducing any kind of matrix format to a standard format called 'Hermite Normal form', which is a unit upper triangular matrix. Some of his other projects during this course include the Disciplined Software Process Project (whose objective was to introduce and practice the software development process for individuals called Personal Software Process), the On-Line Art Store Website (which involved the creation of a website that trades paintings through the Internet) and the Text Based Voice Chat (for which a Proxy Voice Chat system was designed and developed in Visual Basic that incorporated the predominant computing aspects). In addition to his academics, Karky also served as Academic tutor at the university. He conducted class room tutorials and laboratory sessions on subjects such as Relational Database Systems and Programming Languages. As part of his PhD program on information technology, he developed a Java-based simulation platform called SENSE (Simulated Environment of Networked Sensor Experiments), to test different heuristics. This project was done under the guidance of Dr. Maria Orlowska and Dr. Shazia Sadiq. His thesis is titled "Design considerations for query dissemination in wireless sensor networks". === Teaching career === Upon his return to India following the completion of his post-graduation, Karky returned to CEG Anna University in December 2007. He was a Senior Research Fellow for the next six months, managing research projects as well as multiple student projects at an undergrad and postgrad levels. In addition to those, he handled courses and labs for students who pursued their master's degrees. He also served as a Project Scientist between July 2008 and July 2009, managing projects of research groups as well as ME & MBA students. Starting from August 2009, he began his role as an assistant professor. He lectured Computer Science students who were pursuing their Bachelors and master's degrees as well as coordinated the Tamil Computing Lab at the university. He also served as counsellor for NRI and foreign national students, as well as the Staff treasurer of Computer Science Engineering Association. Some of the subjects he taught include Advanced Databases, Ethics for Engineers, Principles of Programming Languages, Environmental Science and Tamil Computing (for PhD students). === Family and personal life === Karky's been married to Nandini Eswaramoorthy, a fellow alum at Anna University, since June 22, 2008. Nandini Karky now works in the Tamil film industry as a subtitler for feature films and documentaries. They have a son named Haiku Karky, who was born in 2009. == Film career == === Debut === During his teaching stint at Anna University, Karky also began his career in the Tamil film industry with the science-fiction film Enthiran (2010), the magnum opus of director Shankar. Karky had approached the director in 2008 with some of the songs he had written, and was brought him on board to help with the dialogues of the film, especially assisting with technical terminology. He stated that there were three sets of dialogues written for almost every scene of the film; one by Shankar, one by Karky, and the other by the late Sujatha, a frequent collaborator with the director who had died during the early stages of the film's pre-production. Shankar would go through all the three drafts and implement those that fit best. The climax was the only portion that didn't have multiple hands, as it was written solely by Karky. In addition to the dialogue, Karky wrote 2 songs for the film, as well: "Irumbile oru Irudhaiyam" (the first song of his career, which was partially crooned by A.R. Rahman) and "Boom Boom Robo Da". However, Kanden Kadhalai (2009), in which he had written the song "Ododi Poren" (composed by Vidyasagar), became his first release. For his work on Enthiran, Karky was named Best Find of the Year at the 2011 Vijay Awards. === Lyric writer === Following his work on Enthiran, Karky became one of the most sought after lyricists in the Tamil film industry, having multiple collaborations with A.R. Rahman, Harris Jayaraj, G. V. Prakash Kumar, D. Imman, M.M. Keeravani, Yuvan Shankar Raja, S. Thaman, Sanjay Leela Bhansali, Anirudh Ravichander and Sam CS. In addition to his native Tamil, he is known for penning songs in multiple languages; some of which include "Asku Laska" from Nanban (which features 16 different languages), "The Rise of Damo" from 7 Aum Arivu (written in Mandarin) and "Continua" from Nootrenbadhu (in Portuguese). His work is also characterized by infusing uncommon Tamil words that aren't normally used in everyday lexicon, as part of lyrics (like "Kuviyamillaa Kaatchi Paezhai" from Ko and "Panikoozh" from I). He also wrote the first palindrome song in Tamil cinema for the film Vinodhan. As of the end of 2025, he has over one thousand songs to his credit. Some of Karky's most popular songs include "Irumbile oru Irudhaiyam" (Enthiran), "Enamo Edho" (Ko), "Nee Koorinal" (Nootrenbadhu), "Asku Laska" (Nanban), "Google Google" (Thuppakki), "Elay Keechaan" (Kadal), "Osakka" (Vanakkam Chennai), "Selfie Pulla" (Kaththi), "Pookkalae Sattru Oyivedungal" (I), "Mei Nigara" (24), "Azhagiye" (Kaatru Veliyidai), "Endhira Logathu Sundariye" (2.0) and "Kurumba" (Tik Tik Tik). === Dialogue writer === On the heels of the success with Enthiran, Karky once again collaborated as a dialogue writer with director Shankar for Nanban. An adaptation of the Hindi blockbuster 3 Idiots, he infused a twang to the dialogue that aimed to showcase college life in a different manner. He also collaborated as a technical advisor with Shankar with 2.0 (the sequel to Enthiran). Karky's also known for his successful collaboration with Telugu director S.S. Rajamouli, on his two-part magnum opus Baahubali; the second part being the most profitable South Indian film of all time, and RRR. His o

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  • Dyme (company)

    Dyme (company)

    Dyme is a Dutch fintech start-up and subscription management app that allows users to cancel and renegotiate their recurring costs. In 2019, Dyme was the first independent Dutch company to receive a PSD2 licence from the Netherlands' central bank (DNB). == History == Dyme was founded in 2018 by Joran Iedema, David Knap, David Schogt and Wouter Florijn. The four had previously founded Cycleswap, a bicycle rental platform launched in 2015 and sold to the American platform Spinlister in 2016. The company gained notability in the Netherlands in 2020 when it appeared on Dutch television in Dragons Den, where Pieter Schoen made a €750,000 bid in an attempt to acquire 51.01% of the company. Dyme's Joran Iedema rejected the deal. == Recognition == Wired described Dyme as one of the "hottest start-ups in Europe" in 2021. As of 2021, the company reportedly had 350,000 registered users in the Netherlands and Great Britain.

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  • Sasha Luccioni

    Sasha Luccioni

    Alexandra Sasha Luccioni (née Vorobyova; born 1990) is a computer scientist specializing in the intersection of artificial intelligence (AI) and climate change. Her work focuses on quantifying the environmental impact of AI technologies and promoting sustainable practices in machine learning development. == Early life and education == Alexandra Sasha Vorobyova was born in the Ukrainian Soviet Socialist Republic in 1990. When she was four years old, her family relocated to Ontario, Canada. Her interest in science is influenced by her family's history; her mother, grandmother, and great-grandmother all pursued careers in scientific fields. Luccioni earned a B.A. in language science from University of Paris III: Sorbonne Nouvelle in 2010. Subsequently, she completed a M.S. in cognitive science, with a minor in natural language processing, at École normale supérieure in Paris in 2012. Luccioni obtained her PhD in cognitive computing from Université du Québec à Montréal (UQAM) in 2018. == Career == Luccioni began her professional career at Nuance Communications in 2017, where she focused on natural language processing (NLP) and machine learning (ML) techniques to enhance conversational agents. She then joined Morgan Stanley’s AI/ML Center of Excellence in 2018, working on explainable artificial intelligence (AI) and decision-making systems. In 2019, she became a postdoctoral researcher at Université de Montréal and Mila, collaborating with computer scientist Yoshua Bengio on a project titled This Climate Does Not Exist. This initiative used generative adversarial networks to visualize the effects of climate change. During this time, she also contributed to integrating fairness and accountability into machine learning education at Mila. Luccioni briefly worked with the United Nations Global Pulse in 2021, developing tools to monitor COVID-19 misinformation. Later that year, she joined Hugging Face as a research scientist. Her role includes quantifying the carbon footprint of AI systems, co-chairing the carbon working group in the Big Science project, and advancing responsible machine learning practices. She helped create "CodeCarbon," an open-source software tool that estimates the carbon emissions produced during the training and operation of machine learning models. In addition to her research, she has developed tools to measure the environmental impact of AI models, communicated findings through media engagements, and presented at international conferences, including a TED Talk. In 2024, she was listed on BBC 100 Women and Time 100 AI.

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  • Top 10 AI Code Generators Compared (2026)

    Top 10 AI Code Generators Compared (2026)

    Curious about the best AI code generator? An AI code generator is software that uses machine learning to help you get more done — it combines speed, accuracy, and an interface that just works. Hands-on testing shows real-world results vary, so a short free trial is the smartest way to decide. Whether you are a beginner or a pro, the right AI code generator slots into your workflow and pays for itself fast. This guide breaks down the top picks, their pros and cons, and who each one is best for.

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