AI Assistant In Teams — independent reviews, comparisons, pricing and step-by-step guides on Aizhi.
Flexidraw is a 1985 graphics computer program published by Inkwell Systems. == Gameplay == Flexidraw is a graphics program that allows users to produce drawings using a light pen and print them. == Reception == Roy Wagner reviewed the product for Computer Gaming World, and stated that "Of the many graphics programs available Flexidraw is certainly the best supported by it's [sic] parent company."
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Curious about the best AI video generator? An AI video generator is software that uses machine learning to help you get more done — it combines speed, accuracy, and an interface that just works. Hands-on testing shows real-world results vary, so a short free trial is the smartest way to decide. Whether you are a beginner or a pro, the right AI video generator slots into your workflow and pays for itself fast. This guide breaks down the top picks, their pros and cons, and who each one is best for.
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The Global Language Monitor (GLM) is a company based in Austin, Texas, that analyzes trends in the English language. == History == Founded in Silicon Valley in 2003 by Paul J.J. Payack, the GLM describes its role as "a media analytics company that documents, analyzes and tracks cultural trends in language the world over, with a particular emphasis upon International and Global English". In April 2008, GLM moved its headquarters from San Diego to Austin. In July 2020, GLM announced that the word covid was its Top Word of 2020 for English. The company has been repeatedly criticized by linguists for promoting misinformation about language. Writing on Language Log, the linguist Ben Zimmer accused it of "hoodwink[ing] unsuspecting journalists on a range of pseudoscientific claims".
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Looking for the best AI copywriting tool? An AI copywriting tool is software that uses machine learning to help you get more done — it can save you hours every week by automating repetitive work. Most options offer a generous free tier, with paid plans unlocking higher limits, faster processing, and team features. Whether you are a beginner or a pro, the right AI copywriting tool slots into your workflow and pays for itself fast. This guide breaks down the top picks, their pros and cons, and who each one is best for.
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Apache ORC (Optimized Row Columnar) is a free and open-source column-oriented data storage format. It is similar to the other columnar-storage file formats available in the Hadoop ecosystem such as RCFile and Parquet. It is used by most of the data processing frameworks Apache Spark, Apache Hive, Apache Flink, and Apache Hadoop. In February 2013, the Optimized Row Columnar (ORC) file format was announced by Hortonworks in collaboration with Facebook. A calendar month later, the Apache Parquet format was announced, developed by Cloudera and Twitter. Apache ORC format is widely supported including Amazon Web Services' Glue,Google Cloud Platform's BigQuery, and Pandas (software). == History ==
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Laws of Form (hereinafter LoF) is a book by G. Spencer-Brown, written by August 1967 and published in 1969. The book straddles the boundary between mathematics and philosophy. LoF describes three distinct logical systems: The primary arithmetic (described in Chapter 4 of LoF), whose models include Boolean arithmetic; The primary algebra (Chapter 6 of LoF), whose models include the two-element Boolean algebra (hereinafter abbreviated 2), Boolean logic, and the classical propositional calculus; Equations of the second degree (Chapter 11), whose interpretations include finite automata and Alonzo Church's Restricted Recursive Arithmetic (RRA). "Boundary algebra" is a Meguire (2011) term for the union of the primary algebra and the primary arithmetic. Laws of Form sometimes loosely refers to the "primary algebra" as well as to LoF. == Contents == The preface states that the work was first explored in 1959, and Spencer Brown cites Bertrand Russell as being supportive of his endeavour. He also thanks J. C. P. Miller of University College London for helping with the proofreading and offering other guidance. In 1963 Spencer Brown was invited by Harry Frost, staff lecturer in the physical sciences at the department of Extra-Mural Studies of the University of London, to deliver a course on the mathematics of logic. LoF emerged from work in electronic engineering its author did around 1960. Key ideas of the LOF were first outlined in his 1961 manuscript Design with the Nor, which remained unpublished until 2021, and further refined during subsequent lectures on mathematical logic he gave under the auspices of the University of London's extension program. LoF has appeared in several editions. The second series of editions appeared in 1972 with the "Preface to the First American Edition", which emphasised the use of self-referential paradoxes, and the most recent being a 1997 German translation. LoF has never gone out of print. LoF's mystical and declamatory prose and its love of paradox make it a challenging read for all. Spencer-Brown was influenced by Ludwig Wittgenstein and R. D. Laing. LoF also echoes a number of themes from the writings of Charles Sanders Peirce, Bertrand Russell, and Alfred North Whitehead. The work has had curious effects on some classes of its readership; for example, on obscure grounds, it has been claimed that the entire book is written in an operational way, giving instructions to the reader instead of telling them what "is", and that in accordance with G. Spencer-Brown's interest in paradoxes, the only sentence that makes a statement that something is, is the statement which says no such statements are used in this book. Furthermore, the claim asserts that except for this one sentence the book can be seen as an example of E-Prime. What prompted such a claim, is obscure, either in terms of incentive, logical merit, or as a matter of fact, because the book routinely and naturally uses the verb to be throughout, and in all its grammatical forms, as may be seen both in the original and in quotes shown below. == Reception == Ostensibly a work of formal mathematics and philosophy, LoF became something of a cult classic: it was praised by Heinz von Foerster when he reviewed it for the Whole Earth Catalog. Those who agree point to LoF as embodying an enigmatic "mathematics of consciousness", its algebraic symbolism capturing an (perhaps even "the") implicit root of cognition: the ability to "distinguish". LoF argues that primary algebra reveals striking connections among logic, Boolean algebra, and arithmetic, and the philosophy of language and mind. Stafford Beer wrote in a review for Nature in 1969, "When one thinks of all that Russell went through sixty years ago, to write the Principia, and all we his readers underwent in wrestling with those three vast volumes, it is almost sad". Banaschewski (1977) argues that the primary algebra is nothing but new notation for Boolean algebra. Indeed, the two-element Boolean algebra 2 can be seen as the intended interpretation of the primary algebra. Yet the notation of the primary algebra: Fully exploits the duality characterizing not just Boolean algebras but all lattices; Highlights how syntactically distinct statements in logic and 2 can have identical semantics; Dramatically simplifies Boolean algebra calculations, and proofs in sentential and syllogistic logic. Moreover, the syntax of the primary algebra can be extended to formal systems other than 2 and sentential logic, resulting in boundary mathematics. LoF has influenced, among others, Heinz von Foerster, Louis Kauffman, Niklas Luhmann, Humberto Maturana, Francisco Varela and William Bricken. Some of these authors have modified the primary algebra in a variety of interesting ways. LoF claimed that certain well-known mathematical conjectures of very long standing, such as the four color theorem, Fermat's Last Theorem, and the Goldbach conjecture, are provable using extensions of the primary algebra. Spencer-Brown eventually circulated a purported proof of the four color theorem, but it was met with skepticism. == The form (Chapter 1) == The symbol: Also called the "mark" or "cross", is the essential feature of the Laws of Form. In Spencer-Brown's inimitable and enigmatic fashion, the Mark symbolizes the root of cognition, i.e., the dualistic Mark indicates the capability of differentiating a "this" from "everything else but this". In LoF, a Cross denotes the drawing of a "distinction", and can be thought of as signifying the following, all at once: The act of drawing a boundary around something, thus separating it from everything else; That which becomes distinct from everything by drawing the boundary; Crossing from one side of the boundary to the other. All three ways imply an action on the part of the cognitive entity (e.g., person) making the distinction. As LoF puts it: "The first command: Draw a distinction can well be expressed in such ways as: Let there be a distinction, Find a distinction, See a distinction, Describe a distinction, Define a distinction, Or: Let a distinction be drawn". (LoF, Notes to chapter 2) The counterpoint to the Marked state is the Unmarked state, which is simply nothing, the void, or the un-expressable infinite represented by a blank space. It is simply the absence of a Cross. No distinction has been made and nothing has been crossed. The Marked state and the void are the two primitive values of the Laws of Form. The Cross can be seen as denoting the distinction between two states, one "considered as a symbol" and another not so considered. From this fact arises a curious resonance with some theories of consciousness and language. Paradoxically, the Form is at once Observer and Observed, and is also the creative act of making an observation. LoF (excluding back matter) closes with the words: ...the first distinction, the Mark and the observer are not only interchangeable, but, in the form, identical. C. S. Peirce came to a related insight in the 1890s; see § Related work. == The primary arithmetic (Chapter 4) == The syntax of the primary arithmetic goes as follows. There are just two atomic expressions: The empty Cross ; All or part of the blank page (the "void"). There are two inductive rules: A Cross may be written over any expression; Any two expressions may be concatenated. The semantics of the primary arithmetic are perhaps nothing more than the sole explicit definition in LoF: "Distinction is perfect continence". Let the "unmarked state" be a synonym for the void. Let an empty Cross denote the "marked state". To cross is to move from one value, the unmarked or marked state, to the other. We can now state the "arithmetical" axioms A1 and A2, which ground the primary arithmetic (and hence all of the Laws of Form): "A1. The law of Calling". Calling twice from a state is indistinguishable from calling once. To make a distinction twice has the same effect as making it once. For example, saying "Let there be light" and then saying "Let there be light" again, is the same as saying it once. Formally: = {\displaystyle \ =} "A2. The law of Crossing". After crossing from the unmarked to the marked state, crossing again ("recrossing") starting from the marked state returns one to the unmarked state. Hence recrossing annuls crossing. Formally: = {\displaystyle \ =} In both A1 and A2, the expression to the right of '=' has fewer symbols than the expression to the left of '='. This suggests that every primary arithmetic expression can, by repeated application of A1 and A2, be simplified to one of two states: the marked or the unmarked state. This is indeed the case, and the result is the expression's "simplification". The two fundamental metatheorems of the primary arithmetic state that: Every finite expression has a unique simplification. (T3 in LoF); Starting from an initial marked or unmarked state, "complicating" an expression by a finite number of repeated application of A1 and A2 cannot yield
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Language and Computers: Studies in Practical Linguistics (ISSN 0921-5034) is a book series on corpus linguistics and related areas. As studies in linguistics, volumes in the series have, by definition, their foundations in linguistic theory; however, they are not concerned with theory for theory's sake, but always with a definite direct or indirect interest in the possibilities of practical application in the dynamic area where language and computers meet. The book series was founded in 1988, and is published by Brill|Rodopi. == Editors == Christian Mair Charles F. Meyer == Volumes == Volumes include: # 77. English Corpus Linguistics: Variation in Time, Space and Genre. Selected papers from ICAME 32., Edited by Gisle Andersen and Kristin Bech. ISBN 978-90-420-3679-6 E-ISBN 978-94-012-0940-3 # 76. English Corpus Linguistics: Crossing Paths., Edited by Merja Kytö. ISBN 978-90-420-3518-8 E-ISBN 978-94-012-0793-5 # 75. Corpus Linguistics and Variation in English.Theory and Description., Edited by Joybrato Mukherjee and Magnus Huber. ISBN 978-90-420-3495-2 E-ISBN 978-94-012-0771-3 # 74. English Corpus Linguistics: Looking back, Moving forward. Papers from the 30th International Conference on English Language Research on Computerized Corpora (ICAME 30), Lancaster, UK, 27–31 May 2009., Edited by Sebastian Hoffmann, Paul Rayson and Geoffrey Leech. ISBN 978-90-420-3466-2 E-ISBN 978-94-012-0747-8 #73. Corpus-based Studies in Language Use, Language Learning, and Language Documentation., Edited by John Newman, Harald Baayen and Sally Rice. ISBN 978-90-420-3401-3 E-ISBN 978-94-012-0688-4 #72. The Progressive in Modern English. A Corpus-Based Study of Grammaticalization and Related Changes., by Svenja Kranich. ISBN 978-90-420-3143-2 E-ISBN 978-90-420-3144-9 #71. Corpus-linguistic applications. Current studies, new directions, Edited by Stefan Th. Gries, Stefanie Wulff, and Mark Davies.. ISBN 978-90-420-2800-5 #70. A resource-light approach to morpho-syntactic tagging., by Anna Feldman and Jirka Hana. ISBN 978-90-420-2768-8 #69. Corpus Linguistics. Refinements and Reassessments., Edited by Antoinette Renouf and Andrew Kehoe. ISBN 978-90-420-2597-4 #68. Corpora: Pragmatics and Discourse. Papers from the 29th International Conference on English Language Research on Computerized Corpora (ICAME 29). Ascona, Switzerland, 14–18 May 2008., Edited by Andreas H. Jucker, Daniel Schreier and Marianne Hundt. ISBN 978-90-420-2592-9 #67. Modals and Quasi-modals in English., by Peter Collins. ISBN 978-90-420-2532-5 #66. Linking up contrastive and learner corpus research., Edited by Gaëtanelle Gilquin, Szilvia Papp and María Belén Díez-Bedmar. ISBN 978-90-420-2446-5 #64. Language, People, Numbers. Corpus Linguistics and Society., Edited by Andrea Gerbig and Oliver Mason. ISBN 978-90-420-2350-5 #63. Variation and change in the lexicon. A corpus-based analysis of adjectives in English ending in –ic and –ical. , by Mark Kaunisto. ISBN 978-90-420-2233-1 #62. Corpus Linguistics 25 Years on., Edited by Roberta Facchinetti. ISBN 978-90-420-2195-2 #61. Corpora in the Foreign Language Classroom. Selected papers from the Sixth International Conference on Teaching and Language Corpora (TaLC 6), Edited by Encarnación Hidalgo, Luis Quereda and Juan Santana. ISBN 978-90-420-2142-6 #60. Corpus Linguistics Beyond the Word. Corpus Research from Phrase to Discourse, Edited by Eileen Fitzpatrick. ISBN 978-90-420-2135-8 #59. Corpus Linguistics and the Web., Edited by Marianne Hundt, Nadja Nesselhauf and Carolin Biewer. ISBN 978-90-420-2128-0 #58. English mediopassive constructions. A cognitive, corpus-based study of their origin, spread, and current status, by Marianne Hundt. ISBN 978-90-420-2127-3 / ISBN 90-420-2127-6
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Deep Learning Studio is a software tool that aims to simplify the creation of deep learning models used in artificial intelligence. It is compatible with a number of open-source programming frameworks popularly used in artificial neural networks, including MXNet and Google's TensorFlow. Prior to the release of Deep Learning Studio in January 2017, proficiency in Python, among other programming languages, was essential in developing effective deep learning models. Deep Learning Studio sought to simplify the model creation process through a visual, drag-and-drop interface and the application of pre-trained learning models on available data. Irving, Texas–based Deep Cognition Inc. is the developer behind Deep Learning Studio. In 2017, the software allowed Deep Cognition to become a finalist for Best Innovation in Deep Learning in the Alconics Awards, which are given annually to the best artificial intelligence software. Deep Cognition launched version 2.0 of Deep Learning Studio at NVIDIA's GTC 2018 Conference in San Jose, California. Fremont, California–based computing products supplier Exxact Corp provides desktop computers specifically built to handle Deep Learning Studio workloads. == Features == Source: Deep Learning Studio is available in two versions: Desktop and Cloud, both of which are free software. The Desktop version is available on Windows and Ubuntu. The Cloud version is available in single-user and multi-user configurations. A Deep Cognition account is needed to access the Cloud version. Account registration is free. Deep Learning Studio can import existing Keras models; it also takes a data set as an input. Deep Learning Studio's AutoML feature allows automatic generation of deep learning models. More advanced users may choose to generate their own models using various types of layers and neural networks. Deep Learning Studio also has a library of loss functions and optimizers for use in hyperparameter tuning, a traditionally complicated area in neural network programming. Generated models can be trained using either CPUs or GPUs. Trained models can then be used for predictive analytics.
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A video renderer is software that processes a video file and sends it sequentially to the video display controller card for display on a computer screen. An example of a video renderer, is the VMR-7 that was used by Microsoft's DirectShow. An example of a UNIX video renderer is the one container within GStreamer. Commonly used video renderers are: Enhanced Video Renderer VMR9 Renderless Haali's Video Renderer Madvr Video Renderer JRVR, a part of JRiver Media Center
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Apertium is a free/open-source rule-based machine translation platform. It is free software and released under the terms of the GNU General Public License. == Overview == Apertium is a transfer-based machine translation system, which uses finite state transducers for all of its lexical transformations, and Constraint Grammar taggers as well as hidden Markov models or Perceptrons for part-of-speech tagging / word category disambiguation. A structural transfer component is responsible for word movement and agreement; most Apertium language pairs up until now have used "chunking" or shallow transfer rules, though newer pairs use (possibly recursive) rules defined in a Context-free grammar. Many existing machine translation systems available at present are commercial or use proprietary technologies, which makes them very hard to adapt to new usages. Apertium code and data is free software and uses a language-independent specification, to allow for the ease of contributing to Apertium, more efficient development, and enhancing the project's overall growth. At present (December 2020), Apertium has released 51 stable language pairs, delivering fast translation with reasonably intelligible results (errors are easily corrected). Being an open-source project, Apertium provides tools for potential developers to build their own language pair and contribute to the project. == History == Apertium originated as one of the machine translation engines in the project OpenTrad, which was funded by the Spanish government, and developed by the Transducens research group at the Universitat d'Alacant. It was originally designed to translate between closely related languages, although it has recently been expanded to treat more divergent language pairs. To create a new machine translation system, one just has to develop linguistic data (dictionaries, rules) in well-specified XML formats. Language data developed for it (in collaboration with the Universidade de Vigo, the Universitat Politècnica de Catalunya and the Universitat Pompeu Fabra) currently support (in stable version) the Arabic, Aragonese, Asturian, Basque, Belarusian, Breton, Bulgarian, Catalan, Crimean Tatar, Danish, English, Esperanto, French, Galician, Hindi, Icelandic, Indonesian, Italian, Kazakh, Macedonian, Malaysian, Maltese, Northern Sami, Norwegian (Bokmål and Nynorsk), Occitan, Polish, Portuguese, Romanian, Russian, Sardinian, Serbo-Croatian, Silesian, Slovene, Spanish, Swedish, Tatar, Ukrainian, Urdu, and Welsh languages. A full list is available below. Several companies are also involved in the development of Apertium, including Prompsit Language Engineering, Imaxin Software and Eleka Ingeniaritza Linguistikoa. The project has taken part in the 2009, 2010, 2011, 2012, 2013 and 2014 editions of Google Summer of Code and the 2010, 2011, 2012, 2013, 2014, 2015, 2016 and 2017 editions of Google Code-In. == Translation methodology == This is an overall, step-by-step view how Apertium works. The diagram displays the steps that Apertium takes to translate a source-language text (the text we want to translate) into a target-language text (the translated text). Source language text is passed into Apertium for translation. The deformatter removes formatting markup (HTML, RTF, etc.) that should be kept in place but not translated. The morphological analyser segments the text (expanding elisions, marking set phrases, etc.), and looks up segments in the language dictionaries, returning dictionary forms and tags for all matches. In pairs that involve agglutinative morphology, including a number of Turkic languages, a Helsinki Finite State Transducer (HFST) is used. Otherwise, an Apertium-specific finite state transducer system called lttoolbox, is used. The morphological disambiguator (the morphological analyser and the morphological disambiguator together form the part of speech tagger) resolves ambiguous segments (i.e., when there is more than one match) by choosing one match. Apertium uses Constraint Grammar rules (with the vislcg3 parser) for most of its language pairs. Retokenisation uses a finite state transducer to match sequences of lexical units and may reorder or translate tags (often used for translating idiomatic expressions into something that more approaches the target language grammar) Lexical transfer looks up disambiguated source-language basewords to find their target-language equivalents (i.e., mapping source language to target language). For lexical transfer, Apertium uses an XML-based dictionary format called bidix. Lexical selection chooses between alternative translations when the source text word has alternative meanings. Apertium uses a specific XML-based technology, apertium-lex-tools, to perform lexical selection. Structural transfer (i.e., it is an XML format that allows writing complex structural transfer rules) can consist of one-step chunking transfer, three-step chunking transfer or a CFG-based transfer module. The chunking modules flag grammatical differences between the source language and target language (e.g. gender or number agreement) by creating a sequence of chunks containing markers for this. They then reorder or modify chunks in order to produce a grammatical translation in the target-language. The newer CFG-based module matches input sequences into possible parse trees, selecting the best-ranking one and applying transformation rules on the tree. The morphological generator uses the tags to deliver the correct target language surface form. The morphological generator is a morphological transducer, just like the morphological analyser. A morphological transducer both analyses and generates forms. The post-generator makes any necessary orthographic changes due to the contact of words (e.g. elisions). The reformatter replaces formatting markup (HTML, RTF, etc.) that was removed by the deformatter in the first step. Apertium delivers the target-language translation. == Supported languages == As of June 2026, the following 108 pairs and 51 languages and languages varieties are supported by Apertium.
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In communications and computing, a machine-readable medium (or computer-readable medium) is a medium capable of storing data in a format easily readable by a digital computer or a sensor. It contrasts with human-readable medium and data. The result is called machine-readable data or computer-readable data, and the data itself can be described as having machine-readability. == Data == Machine-readable data must be structured data. Attempts to create machine-readable data occurred as early as the 1960s. At the same time that seminal developments in machine-reading and natural-language processing were releasing (like Weizenbaum's ELIZA), people were anticipating the success of machine-readable functionality and attempting to create machine-readable documents. One such example was musicologist Nancy B. Reich's creation of a machine-readable catalog of composer William Jay Sydeman's works in 1966. In the United States, the OPEN Government Data Act of 14 January 2019 defines machine-readable data as "data in a format that can be easily processed by a computer without human intervention while ensuring no semantic meaning is lost." The law directs U.S. federal agencies to publish public data in such a manner, ensuring that "any public data asset of the agency is machine-readable". Machine-readable data may be classified into two groups: human-readable data that is marked up so that it can also be read by machines (e.g. microformats, RDFa, HTML), and data file formats intended principally for processing by machines (CSV, RDF, XML, JSON). These formats are only machine readable if the data contained within them is formally structured; exporting a CSV file from a badly structured spreadsheet does not meet the definition. Machine readable is not synonymous with digitally accessible. A digitally accessible document may be online, making it easier for humans to access via computers, but its content is much harder to extract, transform, and process via computer programming logic if it is not machine-readable. Extensible Markup Language (XML) is designed to be both human- and machine-readable, and Extensible Stylesheet Language Transformations (XSLT) is used to improve the presentation of the data for human readability. For example, XSLT can be used to automatically render XML in Portable Document Format (PDF). Machine-readable data can be automatically transformed for human-readability but, generally speaking, the reverse is not true. For purposes of implementation of the Government Performance and Results Act (GPRA) Modernization Act, the Office of Management and Budget (OMB) defines "machine readable format" as follows: "Format in a standard computer language (not English text) that can be read automatically by a web browser or computer system. (e.g.; xml). Traditional word processing documents and portable document format (PDF) files are easily read by humans but typically are difficult for machines to interpret. Other formats such as extensible markup language (XML), (JSON), or spreadsheets with header columns that can be exported as comma separated values (CSV) are machine readable formats. As HTML is a structural markup language, discreetly labeling parts of the document, computers are able to gather document components to assemble tables of contents, outlines, literature search bibliographies, etc. It is possible to make traditional word processing documents and other formats machine readable but the documents must include enhanced structural elements." == Media == Examples of machine-readable media include magnetic media such as magnetic disks, cards, tapes, and drums, punched cards and paper tapes, optical discs, barcodes and magnetic ink characters. Common machine-readable technologies include magnetic recording, processing waveforms, and barcodes. Optical character recognition (OCR) can be used to enable machines to read information available to humans. Any information retrievable by any form of energy can be machine-readable. Examples include: Acoustics Chemical Photochemical Electrical Semiconductor used in volatile RAM microchips Floating-gate transistor used in non-volatile memory cards Radio transmission Magnetic storage Mechanical Tins And Swins Punched card Paper tape Music roll Music box cylinder or disk Grooves (See also: Audio Data) Phonograph cylinder Gramophone record DictaBelt (groove on plastic belt) Capacitance Electronic Disc Optics Optical storage Thermodynamic == Applications == === Documents === === Catalogs === === Dictionaries === === Passports ===
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Shopping for the best AI marketing tool? An AI marketing tool is software that uses machine learning to help you get more done — it keeps getting smarter as the underlying models improve. Pricing, accuracy, and the size of the model behind the tool are the three factors that most affect daily usefulness. Whether you are a beginner or a pro, the right AI marketing tool slots into your workflow and pays for itself fast. Below we compare features, pricing, and real output so you can choose with confidence.
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Human image synthesis is technology that can be applied to make believable and even photorealistic renditions of human-likenesses, moving or still. It has effectively existed since the early 2000s. Many films using computer generated imagery have featured synthetic images of human-like characters digitally composited onto the real or other simulated film material. Towards the end of the 2010s deep learning artificial intelligence has been applied to synthesize images and video that look like humans, without need for human assistance, once the training phase has been completed, whereas the old school 7D-route required massive amounts of human work. == Timeline of human image synthesis == In 1971 Henri Gouraud made the first CG geometry capture and representation of a human face. Modeling was his wife Sylvie Gouraud. The 3D model was a simple wire-frame model and he applied the Gouraud shader he is most known for to produce the first known representation of human-likeness on computer. The 1972 short film A Computer Animated Hand by Edwin Catmull and Fred Parke was the first time that computer-generated imagery was used in film to simulate moving human appearance. The film featured a computer simulated hand and face (watch film here). The 1976 film Futureworld reused parts of A Computer Animated Hand on the big screen. The 1983 music video for song Musique Non-Stop by German band Kraftwerk aired in 1986. Created by the artist Rebecca Allen, it features non-realistic looking, but clearly recognizable computer simulations of the band members. The 1994 film The Crow was the first film production to make use of digital compositing of a computer simulated representation of a face onto scenes filmed using a body double. Necessity was the muse as the actor Brandon Lee portraying the protagonist was tragically killed accidentally on-stage. In 1999 Paul Debevec et al. of USC captured the reflectance field of a human face with their first version of a light stage. They presented their method at the SIGGRAPH 2000 In 2003 audience debut of photo realistic human-likenesses in the 2003 films The Matrix Reloaded in the burly brawl sequence where up-to-100 Agent Smiths fight Neo and in The Matrix Revolutions where at the start of the end showdown Agent Smith's cheekbone gets punched in by Neo leaving the digital look-alike unnaturally unhurt. The Matrix Revolutions bonus DVD documents and depicts the process in some detail and the techniques used, including facial motion capture and limbal motion capture, and projection onto models. In 2003 The Animatrix: Final Flight of the Osiris a state-of-the-art want-to-be human likenesses not quite fooling the watcher made by Square Pictures. In 2003 digital likeness of Tobey Maguire was made for movies Spider-man 2 and Spider-man 3 by Sony Pictures Imageworks. In 2005 the Face of the Future project was an established. by the University of St Andrews and Perception Lab, funded by the EPSRC. The website contains a "Face Transformer", which enables users to transform their face into any ethnicity and age as well as the ability to transform their face into a painting (in the style of either Sandro Botticelli or Amedeo Modigliani). This process is achieved by combining the user's photograph with an average face. In 2009 Debevec et al. presented new digital likenesses, made by Image Metrics, this time of actress Emily O'Brien whose reflectance was captured with the USC light stage 5 Motion looks fairly convincing contrasted to the clunky run in the Animatrix: Final Flight of the Osiris which was state-of-the-art in 2003 if photorealism was the intention of the animators. In 2009 a digital look-alike of a younger Arnold Schwarzenegger was made for the movie Terminator Salvation though the end result was critiqued as unconvincing. Facial geometry was acquired from a 1984 mold of Schwarzenegger. In 2010 Walt Disney Pictures released a sci-fi sequel entitled Tron: Legacy with a digitally rejuvenated digital look-alike of actor Jeff Bridges playing the antagonist CLU. In SIGGGRAPH 2013 Activision and USC presented a real-time "Digital Ira" a digital face look-alike of Ari Shapiro, an ICT USC research scientist, utilizing the USC light stage X by Ghosh et al. for both reflectance field and motion capture. The end result both precomputed and real-time rendering with the modernest game GPU shown here and looks fairly realistic. In 2014 The Presidential Portrait by USC Institute for Creative Technologies in conjunction with the Smithsonian Institution was made using the latest USC mobile light stage wherein President Barack Obama had his geometry, textures and reflectance captured. In 2014 Ian Goodfellow et al. presented the principles of a generative adversarial network. GANs made the headlines in early 2018 with the deepfakes controversies. For the 2015 film Furious 7 a digital look-alike of actor Paul Walker who died in an accident during the filming was done by Weta Digital to enable the completion of the film. In 2016 techniques which allow near real-time counterfeiting of facial expressions in existing 2D video have been believably demonstrated. In 2016 a digital look-alike of Peter Cushing was made for the Rogue One film where its appearance would appear to be of same age as the actor was during the filming of the original 1977 Star Wars film. In SIGGRAPH 2017 an audio driven digital look-alike of upper torso of Barack Obama was presented by researchers from University of Washington. It was driven only by a voice track as source data for the animation after the training phase to acquire lip sync and wider facial information from training material consisting 2D videos with audio had been completed. Late 2017 and early 2018 saw the surfacing of the deepfakes controversy where porn videos were doctored using deep machine learning so that the face of the actress was replaced by the software's opinion of what another persons face would look like in the same pose and lighting. In 2018 Game Developers Conference Epic Games and Tencent Games demonstrated "Siren", a digital look-alike of the actress Bingjie Jiang. It was made possible with the following technologies: CubicMotion's computer vision system, 3Lateral's facial rigging system and Vicon's motion capture system. The demonstration ran in near real time at 60 frames per second in the Unreal Engine 4. In 2018 at the World Internet Conference in Wuzhen the Xinhua News Agency presented two digital look-alikes made to the resemblance of its real news anchors Qiu Hao (Chinese language) and Zhang Zhao (English language). The digital look-alikes were made in conjunction with Sogou. Neither the speech synthesis used nor the gesturing of the digital look-alike anchors were good enough to deceive the watcher to mistake them for real humans imaged with a TV camera. In September 2018 Google added "involuntary synthetic pornographic imagery" to its ban list, allowing anyone to request the search engine block results that falsely depict them as "nude or in a sexually explicit situation." In February 2019 Nvidia open sources StyleGAN, a novel generative adversarial network. Right after this Phillip Wang made the website ThisPersonDoesNotExist.com with StyleGAN to demonstrate that unlimited amounts of often photo-realistic looking facial portraits of no-one can be made automatically using a GAN. Nvidia's StyleGAN was presented in a not yet peer reviewed paper in late 2018. At the June 2019 CVPR the MIT CSAIL presented a system titled "Speech2Face: Learning the Face Behind a Voice" that synthesizes likely faces based on just a recording of a voice. It was trained with massive amounts of video of people speaking. Since 1 July 2019 Virginia has criminalized the sale and dissemination of unauthorized synthetic pornography, but not the manufacture., as § 18.2–386.2 titled 'Unlawful dissemination or sale of images of another; penalty.' became part of the Code of Virginia. The law text states: "Any person who, with the intent to coerce, harass, or intimidate, maliciously disseminates or sells any videographic or still image created by any means whatsoever that depicts another person who is totally nude, or in a state of undress so as to expose the genitals, pubic area, buttocks, or female breast, where such person knows or has reason to know that he is not licensed or authorized to disseminate or sell such videographic or still image is guilty of a Class 1 misdemeanor.". The identical bills were House Bill 2678 presented by Delegate Marcus Simon to the Virginia House of Delegates on 14 January 2019 and three-day later an identical Senate bill 1736 was introduced to the Senate of Virginia by Senator Adam Ebbin. Since 1 September 2019 Texas senate bill SB 751 amendments to the election code came into effect, giving candidates in elections a 30-day protection period to the elections during which making and distributing digital look-alikes or synthetic fakes of the candidates is an offense. Th
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In mathematics and theoretical computer science, a semiautomaton is a deterministic finite automaton having inputs but no output. It consists of a set Q of states, a set Σ called the input alphabet, and a function T: Q × Σ → Q called the transition function. Associated with any semiautomaton is a monoid called the characteristic monoid, input monoid, transition monoid or transition system of the semiautomaton, which acts on the set of states Q. This may be viewed either as an action of the free monoid of strings in the input alphabet Σ, or as the induced transformation semigroup of Q. In older books like Clifford and Preston (1967) semigroup actions are called "operands". In category theory, semiautomata essentially are functors. == Transformation semigroups and monoid acts == A transformation semigroup or transformation monoid is a pair ( M , Q ) {\displaystyle (M,Q)} consisting of a set Q (often called the "set of states") and a semigroup or monoid M of functions, or "transformations", mapping Q to itself. They are functions in the sense that every element m of M is a map m : Q → Q {\displaystyle m\colon Q\to Q} . If s and t are two functions of the transformation semigroup, their semigroup product is defined as their function composition ( s t ) ( q ) = ( s ∘ t ) ( q ) = s ( t ( q ) ) {\displaystyle (st)(q)=(s\circ t)(q)=s(t(q))} . Some authors regard "semigroup" and "monoid" as synonyms. Here a semigroup need not have an identity element; a monoid is a semigroup with an identity element (also called "unit"). Since the notion of functions acting on a set always includes the notion of an identity function, which when applied to the set does nothing, a transformation semigroup can be made into a monoid by adding the identity function. === M-acts === Let M be a monoid and Q be a non-empty set. If there exists a multiplicative operation μ : Q × M → Q {\displaystyle \mu \colon Q\times M\to Q} ( q , m ) ↦ q m = μ ( q , m ) {\displaystyle (q,m)\mapsto qm=\mu (q,m)} which satisfies the properties q 1 = q {\displaystyle q1=q} for 1 the unit of the monoid, and q ( s t ) = ( q s ) t {\displaystyle q(st)=(qs)t} for all q ∈ Q {\displaystyle q\in Q} and s , t ∈ M {\displaystyle s,t\in M} , then the triple ( Q , M , μ ) {\displaystyle (Q,M,\mu )} is called a right M-act or simply a right act. In long-hand, μ {\displaystyle \mu } is the right multiplication of elements of Q by elements of M. The right act is often written as Q M {\displaystyle Q_{M}} . A left act is defined similarly, with μ : M × Q → Q {\displaystyle \mu \colon M\times Q\to Q} ( m , q ) ↦ m q = μ ( m , q ) {\displaystyle (m,q)\mapsto mq=\mu (m,q)} and is often denoted as M Q {\displaystyle \,_{M}Q} . An M-act is closely related to a transformation monoid. However the elements of M need not be functions per se, they are just elements of some monoid. Therefore, one must demand that the action of μ {\displaystyle \mu } be consistent with multiplication in the monoid (i.e. μ ( q , s t ) = μ ( μ ( q , s ) , t ) {\displaystyle \mu (q,st)=\mu (\mu (q,s),t)} ), as, in general, this might not hold for some arbitrary μ {\displaystyle \mu } , in the way that it does for function composition. Once one makes this demand, it is completely safe to drop all parenthesis, as the monoid product and the action of the monoid on the set are completely associative. In particular, this allows elements of the monoid to be represented as strings of letters, in the computer-science sense of the word "string". This abstraction then allows one to talk about string operations in general, and eventually leads to the concept of formal languages as being composed of strings of letters. Another difference between an M-act and a transformation monoid is that for an M-act Q, two distinct elements of the monoid may determine the same transformation of Q. If we demand that this does not happen, then an M-act is essentially the same as a transformation monoid. === M-homomorphism === For two M-acts Q M {\displaystyle Q_{M}} and B M {\displaystyle B_{M}} sharing the same monoid M {\displaystyle M} , an M-homomorphism f : Q M → B M {\displaystyle f\colon Q_{M}\to B_{M}} is a map f : Q → B {\displaystyle f\colon Q\to B} such that f ( q m ) = f ( q ) m {\displaystyle f(qm)=f(q)m} for all q ∈ Q M {\displaystyle q\in Q_{M}} and m ∈ M {\displaystyle m\in M} . The set of all M-homomorphisms is commonly written as H o m ( Q M , B M ) {\displaystyle \mathrm {Hom} (Q_{M},B_{M})} or H o m M ( Q , B ) {\displaystyle \mathrm {Hom} _{M}(Q,B)} . The M-acts and M-homomorphisms together form a category called M-Act. == Semiautomata == A semiautomaton is a triple ( Q , Σ , T ) {\displaystyle (Q,\Sigma ,T)} where Σ {\displaystyle \Sigma } is a non-empty set, called the input alphabet, Q is a non-empty set, called the set of states, and T is the transition function T : Q × Σ → Q . {\displaystyle T\colon Q\times \Sigma \to Q.} When the set of states Q is a finite set—it need not be—, a semiautomaton may be thought of as a deterministic finite automaton ( Q , Σ , T , q 0 , A ) {\displaystyle (Q,\Sigma ,T,q_{0},A)} , but without the initial state q 0 {\displaystyle q_{0}} or set of accept states A. Alternately, it is a finite-state machine that has no output, and only an input. Any semiautomaton induces an act of a monoid in the following way. Let Σ ∗ {\displaystyle \Sigma ^{}} be the free monoid generated by the alphabet Σ {\displaystyle \Sigma } (so that the superscript is understood to be the Kleene star); it is the set of all finite-length strings composed of the letters in Σ {\displaystyle \Sigma } . For every word w in Σ ∗ {\displaystyle \Sigma ^{}} , let T w : Q → Q {\displaystyle T_{w}\colon Q\to Q} be the function, defined recursively, as follows, for all q in Q: If w = ε {\displaystyle w=\varepsilon } , then T ε ( q ) = q {\displaystyle T_{\varepsilon }(q)=q} , so that the empty word ε {\displaystyle \varepsilon } does not change the state. If w = σ {\displaystyle w=\sigma } is a letter in Σ {\displaystyle \Sigma } , then T σ ( q ) = T ( q , σ ) {\displaystyle T_{\sigma }(q)=T(q,\sigma )} . If w = σ v {\displaystyle w=\sigma v} for σ ∈ Σ {\displaystyle \sigma \in \Sigma } and v ∈ Σ ∗ {\displaystyle v\in \Sigma ^{}} , then T w ( q ) = T v ( T σ ( q ) ) {\displaystyle T_{w}(q)=T_{v}(T_{\sigma }(q))} . Let M ( Q , Σ , T ) {\displaystyle M(Q,\Sigma ,T)} be the set M ( Q , Σ , T ) = { T w | w ∈ Σ ∗ } . {\displaystyle M(Q,\Sigma ,T)=\{T_{w}\vert w\in \Sigma ^{}\}.} The set M ( Q , Σ , T ) {\displaystyle M(Q,\Sigma ,T)} is closed under function composition; that is, for all v , w ∈ Σ ∗ {\displaystyle v,w\in \Sigma ^{}} , one has T w ∘ T v = T v w {\displaystyle T_{w}\circ T_{v}=T_{vw}} . It also contains T ε {\displaystyle T_{\varepsilon }} , which is the identity function on Q. Since function composition is associative, the set M ( Q , Σ , T ) {\displaystyle M(Q,\Sigma ,T)} is a monoid: it is called the input monoid, characteristic monoid, characteristic semigroup or transition monoid of the semiautomaton ( Q , Σ , T ) {\displaystyle (Q,\Sigma ,T)} . == Properties == If the set of states Q is finite, then the transition functions are commonly represented as state transition tables. The structure of all possible transitions driven by strings in the free monoid has a graphical depiction as a de Bruijn graph. The set of states Q need not be finite, or even countable. As an example, semiautomata underpin the concept of quantum finite automata. There, the set of states Q are given by the complex projective space C P n {\displaystyle \mathbb {C} P^{n}} , and individual states are referred to as n-state qubits. State transitions are given by unitary n×n matrices. The input alphabet Σ {\displaystyle \Sigma } remains finite, and other typical concerns of automata theory remain in play. Thus, the quantum semiautomaton may be simply defined as the triple ( C P n , Σ , { U σ 1 , U σ 2 , … , U σ p } ) {\displaystyle (\mathbb {C} P^{n},\Sigma ,\{U_{\sigma _{1}},U_{\sigma _{2}},\dotsc ,U_{\sigma _{p}}\})} when the alphabet Σ {\displaystyle \Sigma } has p letters, so that there is one unitary matrix U σ {\displaystyle U_{\sigma }} for each letter σ ∈ Σ {\displaystyle \sigma \in \Sigma } . Stated in this way, the quantum semiautomaton has many geometrical generalizations. Thus, for example, one may take a Riemannian symmetric space in place of C P n {\displaystyle \mathbb {C} P^{n}} , and selections from its group of isometries as transition functions. The syntactic monoid of a regular language is isomorphic to the transition monoid of the minimal automaton accepting the language. == Literature == A. H. Clifford and G. B. Preston, The Algebraic Theory of Semigroups. American Mathematical Society, volume 2 (1967), ISBN 978-0-8218-0272-4. F. Gecseg and I. Peak, Algebraic Theory of Automata (1972), Akademiai Kiado, Budapest. W. M. L. Holcombe, Algebraic Automata Theory (1982), Cambridge University Press J. M. Howie, Automata and Languages, (1991), Cla
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Nicholas M. W. Frosst is a Canadian computer scientist and musician. He co-founded Cohere, a Toronto-based artificial intelligence company. He is also the lead singer in the indie rock band Good Kid. == Early life and education == Frosst was born on January 5, 1993. Frosst earned a Bachelor of Science degree in computer science and cognitive science from the University of Toronto in 2015. He was a student of Geoffrey Hinton, who also hired Frosst at Google Brain. == Career == Frosst was among Geoffrey Hinton's earliest hires at Google Brain in Toronto, working as a machine learning researcher on deep learning and neural network architectures. He worked there from 2016 to 2020. Frosst co-founded Cohere with Aidan Gomez and Ivan Zhang in 2019. The company builds large language models and enterprise AI tools. Frosst has publicly explained Cohere's focus on industries like finance and health, where there are privacy and other regulatory considerations. Frosst has also spoken openly about his belief that artificial intelligence will not replace humans, but rather streamline and automate mundane tasks, and his belief that AGI is less "imminent" than many in the field claim. Frosst and the other Cohere co-founders were listed first on Maclean's AI Trailblazers Power List and The Logic's Innovation Leaders. == Music == After spending time in a prior band which played "weird" music featuring a glockenspiel, Frosst and fellow computer science students at the University of Toronto formed the indie rock band Good Kid in 2015. Frosst is the lead vocalist for the band. While on tour with the band, Frosst continues his work in the tech industry remotely. Frosst has described the band as way for him to relax and not constantly think about tech. His vocals have been compared to that of Kele Okereke. As of 2026, the band, which has performed at Lollapalooza, has 3.1 million monthly Spotify listeners. In 2024, the band was nominated for the Juno Awards Breakthrough Group of the Year. == Discography == === Good Kid === Can We Hang Out Sometime? (2026)
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